Showing posts with label electronic. Show all posts
Showing posts with label electronic. Show all posts

Wednesday, February 24, 2016

Skinny Dip with Don Tiki

 The follow-up to Forbidden Sounds, Don Tiki's 2nd album again combines sweeping range of exotic, mellow, upbeat, and loungy tunes, moving the art of Modern Exotica forward into the new millennium. The vocals are more native/island sounding that your typical mainland-produced track from the 60's, but here it only adds to the atmosphere. It has my most favorite non-pc track of the genre – the very cool “The Natives Are Restless Tonight.” The liner notes are written by none other than Sven Kirsten, author of the Book Of Tiki. This is a must have for any Exotica collector to add to their collection. Pick this album up and listen to it, now. It's another glimpse into the almost non-existent genre of Modern Exotica.

1. All Quiet Flows The Don 2. The Natives Are Restless 3. Primitiva 4. Heat 5. Flower Humming
6. Bwana Banana 7. The Other Side Of The Moon 8. Wet Cave 9. Pinakbet 10. El Producto
11. Sweet And Sour 12. Axolotl 13. That Hypnotizing Man
 

Sunday, July 25, 2010

Bernie Krause Gorillas in the Mix



This is a classic. Before digital sampling became the norm, Bernie Krause pioneered it all, with his environmental recordings, with hydrophone technology and technique, with his superb ear for pitch and timbre, and with his ideas for meshing their occurrence in natural and animal sounds with human-made music. Kids love this AND adults do too. Bernie Kraus's "Gorillia's in the Mix" may be saturated with "punny" names, but the sheer wonder occurs when you realize that EVERY SINGLE SOUND you hear is an ANIMAL--there are NO HUMAN SOUNDS or instruments on any of these remarkable cuts! My favorite (listed incompletely here) is "I'm In Trouble, Turkey Corwin" (to the tune of Paula Abdul's smash hit, "Straight Up" which came out a year before). A Parrot from the San Diego Zoo takes the vocals to the swishing tails of shrimp, the smacking lips of horses, the ruffling of turkey feathers and 30 other animal sounds! This is NOT one of those gimicky animal records like "Meowy Christmas by Jingle Cats". This is exotica taken to it's higest level - naturally. This was played at SeaWorld for years over the pa.

1. Trout from Ipanema - Bernie Krause, Mills, T.
2. Jungle Shoes 3. I'm in Trouble, Turkey Corwin - Bernie Krause, Michael, P.
4. Gaia Dreams
5. Ape No Mountain High Enough
6. Animal Farm
7. Fish Wrap
8. Stomp in the Name of Love - Bernie Krause, Ward, Ma

berniesgorillaz

Saturday, April 24, 2010

Man Made Brain Vector Based Fiction - MOAM Spinoff Exclusive

Spinoff with members of MOAM, More towards the grunge electronic side of MOAM.


The Man Made Brain / Vector-Based Fiction Track Title 1. Glue 2. Glitter 9000 3. At The Sound Of The Tone 4. Tiramisu 5. Cartoon Horror 6. Houston, We Have A Problem

mmbvbf

Servotron - I Sing the Body Cybernetic

Birdstuff and Dexter X hiding out in here. Good scifi.

1. I Sing the Body Cybernetic
2. Genetic Engineering
3. Image Created
4. Power of Electricity
5. Red Robot Refund (The Ballad of R5-D4)

servetolive

Moonbuggy - Infinity Loop

Not MOAM related - more electronic oriented scifi rock. More on the melodic side.

1. Out of Phase 2. Loss Magnet 3. Flyswatter 4. Vortexvex 5. Reverse the Flow 6. zero Gravity 7. Egg 8. Antenna 9. Plulse 10. Slipstream 11. Dead Air 12. Hour Before Dawn

Both parts now - sorry.

inloops

inloops 2

Audio Prehistory ST

Not MOAM related? - more electronic oriented scifi rock. Some interesting use of percussion and sound structures here. Worth a listen. On same private label as Man Made Brain, by someone named Treasure Tolliver. Any MOAM relation?

1. The Busy Machines 2. Amphluma 3. Trouble in the Kitchen 4. Spider Leaf 5. I Have This Bucket 6. Most Viruses 7. Bathtub Tidal wave 8. Creek Blob 9. IRARI 10. Creole 11. Under Sajnd 12. 5.4.2000 13. Devil Muzak


aprehist

Saturday, November 21, 2009

Tom Dissevelt and Kid Baltan - Song Of The Second Moon

First released in 1957 under the name of Electrosonics and then re-released in 1968 under the name of the 2 composers mentioned.Very early primitive electronic experimentations!
Surpisingly forward sounding stuff, considering the time period - very abstract, not dated sounding at all. Recommended space.

A1 Kid Baltan Song Of The Second Moon (2:49)
A2 Tom Dissevelt Moon Maid (3:12)
A3 Kid Baltan The Ray Makers (7:22)
A4 Tom Dissevelt The Visitor From Inner Space (3:07)
B1 Tom Dissevelt Sonik Re-Entry (2:35)
B2 Tom Dissevelt Orbit Aurora (3:00)
B3 Tom Dissevelt Twilight Ozone (5:25)
B4 Kid Baltan Pianoforte (5:05)

rtdsa

Saturday, July 25, 2009

The Best of Moog - Electronic Pop Hits

This compilation of electronic music starts out as a fun and highly enjoyable listening experience, and begins to drag a bit. A mix of classic and cheesy, it a fun quirky ride through synth land. It has some hard to find cuts -- "Foggy Mountain Breakdown" by Gil Trythall, and both of Electrik Cokernut's covers of pop songs ("Jeepster" & "Back Off Boogaloo") are here. “E.V.A." by Jean Jacques Perrey, which sounds like it could have been recorded yesterday, and "Bond St." by Enoch Light and the Light Brigade which, although it barely features any synthesizers, is a highly entertaining version of the Burt Bacharach tune. The remix by Fatboy Slim is pretty much filler. Despite its flaws, I would still recommend this to anyone interested in the origins of modern electronic music, anyone who wants the song "Popcorn", or anyone who loves Disneyland ("Baroque Hoedown" is the theme song to.....now with an electronically enhanced voice...."Disneyland Main Street Electrical Parade!").

1. Popcorn - Hot Butter 2. Savers - Perrey-Kingsley 3. E.V.A. - Jean-Jacques Perrey 4. Look of Love - Richard Hayman 5. Midnight Cowboy - Martin Denny 6. One Note Samba/Spanish Flea - Perrey-Kingsley 7. Foggy Mountain Breakdown - Gil Trythall 8. Bond Street - Enoch Light & the Light Brigade 9. Winchester Cathedral - Perrey-Kingsley 10. I Apologize Mr. Rossini - Armando Trovaioli 11. Baroque Hoedown - Perrey-Kingsley 12. Jeepster - Elecktrik Cokernut 13. Kinky Peanuts - Armando Trovaioli 14. Back Off Boogaloo - Elektrik Cokernut 15. Shank - First Moog Quartet 16. Moog Power - Hugo Montenegro & His Orchestra 17. Give It Up Or Turn It Loose - Dick Hyman 18. Hey Hey - First Moog Quartet `19. E.V.A. - Jean Jacques Perrey (Fatboy Slim remix)

bmeh

Saturday, February 7, 2009

Synergy ST

Beginning with the 1975 landmark Electronic Realizations for Rock Orchestra, Synergy explored the possibilities inherent in synthesizer/sequencer technology and digital-studio production techniques, resulting in some of the most inventive electronic music of the 1970s. It was mostly the work of synthesizer expert Larry Fast, who also brought electronics to the mainstream by coordinating synthesized passages for dozens of pop acts during the 1970s and '80s, including Yes, Peter Gabriel, Meatloaf, John Denver, Barbra Streisand, Hall & Oates, Kate Bush, Foreigner and Randy Newman.

Recording as Synergy, Fast debuted in 1975 with Electronic Realizations for Rock Orchestra. The album became a surprise favorite with progressive radio, and was hailed by synthesizer pioneer Robert Moog as the most important recording to date using his Moog synthesizer. Soon after the album's release, Fast was introduced to Peter Gabriel, who had recently left Genesis and was about to begin his solo career; Gabriel recruited Larry Fast to take care of synthesized effects for his first three LPs (each were self-titled). Gabriel's success with the singles "Shock the Monkey," "Biko" and "Games Without Frontiers" gave Fast a growing reputation as the man to hire for that contemporary sound; even while he recorded three new Synergy LPs during the late '70s, Fast worked with a variety of artists and appeared on tour with Gabriel. He also provided the score for the original planetarium light-show known as Laserium, and moved into film work (About Last Night, Planes, Trains and Automobiles) during the 1980s.

Still holds up well today. Slaughter on Tenth Avanue is a fave of The Ventures and has been covered by them many times. This electronic version is equally thrilling in its own sci-fi kind of way. If you like synthesizer electronic rock – check it out. You might find something good.

Legacy 2. Slaughter on Tenth Avenue - Synergy, Rodgers, Richard 3. Classical Gas 4. Synergy 5. Relay Breakdown 6. Warriors

moogy

Tuesday, October 30, 2007

White Noise - Electric Storm

When this album came out in 1969, it was far beyond anything anyone was doing. A Saucerful of Secrets by Pink Floyd- Pfft! Not even close. This was just before the advent of the Moog synthesizer so what you'll hear may sound like synthesis, but is actually tape-splicing taken to the 11th degree. What first interested me was the fact that one of Europe's greatest free drummers to this day- Paul Lytton- was a member. This album is a blend of three musical styles that are now in very diverse camps: Noise (Merzbow, etc.) electronica and pychedelicia.

The White Noise project had its origins in the BBC's Radiophonic Workshop, whose previous claim to worldwide fame was the theme music to Doctor Who. The workshop was peopled by a small team of technical wizards and musicians whose principal function was to generate futuristic effects and music for BBC TV and radio programs. With no keyboard-based polyphonic synthesizers available to them, every last chord had to be assembled from numerous tape edits painstakingly stuck together. Much use was made of musique concrète techniques, whereby physically generated sounds would be subjected to all manner of electronic distortion and tape manipulation.

Having heard Pink Floyd’s recently released A Saucerful of Secrets, a lengthy instrumental track on which a drum riff underpins a cacophony of noise, in order to complete the album they needed something fast. The result was the hair-raising -- "Black Mass: An Electric Storm in Hell," which replaces Saucerful's heavenly choir with the sound of souls screaming in eternal torment. Simply, one of the scariest pieces of music ever recorded. It's an album that sounds like no other.

By 1970, however, White Noise had been overtaken by events. As the Moog synthesizer became widely available, the kind of equipment used by the Radiophonic Workshop team became obsolete almost overnight. And since it was this very equipment that gave the White Noise album so much of its charm, there was never any question of a full-scale follow-up.

1. Love Without Sound 2. My Game of Loving 3. Here Come the Fleas 4. Firebird 5. Your Hidden Dreams 6. Visitations 7. Black Mass: An Electric Storm in Hell

storm
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