tag:blogger.com,1999:blog-29329314778938549792024-03-13T08:10:19.838-07:00Fat City Cigar LoungeWelcome to Fat City Cigar Lounge home of a great variety of cool music, outstanding cocktails, good smokes, and lively conversation.DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.comBlogger856125tag:blogger.com,1999:blog-2932931477893854979.post-60271495608317305592017-11-18T09:01:00.002-08:002017-11-18T09:01:24.421-08:00VA Beyond The Sea<br />
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VA Beyond The Sea<br />
Fun surf covers of modern songs. Modern surf groups doing what The Ventures and Shadows did with their contemporary music.<br />
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"This is easily one of the most consistently good compilations I've heard
in ages. Great bands recorded well with solid rearranging of standards.
Inventive and excellent listening." Phil Dirt <a href="http://www.reverbcentral.com/" target="_blank">Reverb Central</a><br />
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Pretty straightforward modern surf styles. There are 2 sequels (coming soon) that stretch the surf instro boundaries into some amazing post rock/avant territory. Way cool. Stay Tuned. <br />
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1. My Favourite Things by The Swamp Coolers<br />2. Viva Las Vegas by Los Derrumbes<br />3. Take on Me by The Bitch Boys<br />4. I'm Not in Love by Don's Mobile Barbers<br />5. Then He Kissed Me by The Detonators<br />6. Mexican Whistler by Los Fantasticos<br />7. Auld Lang Syne by The Glasgow Tiki Shakers<br />8. Funeral March of a Marionette by The Pyronauts<br />9. Je t'aime... moi non plus by Kahuna Kawentzmann<br />10. Rock and Roll High School by Cobalt and the Aquabears<br />11. Redemption Surf (redemption song) by Estrume'n'tal<br />12. Barbie Girl by Fudge<br />13. The One I Love by Nova Surfer<br />14. You Sexy Thing by Our Flying Saucer<br />15. Surfer Freak (Super freak) by RNA<br />16. The SpongeBob SquarePants theme tune by Monkey Versus Robot<br />17. The Adventures of Rabbi Jacob by The Astroglides<br />18. Another Brick in the Wall part II by The Vivisectors<br />19. I Only Wanna be with You by The Muffinmates<br />20. Hooray for Hollywood by The Urban Surf Kings<br />21. Cinnamon Girl by The Lost Boys of Penzance<br />22. Travelin' Man by The Reluctant Aquanauts<br />23. Dance of the King of the World of Maya (Dance of Maya and King of the World) by Pegleg<br />24. Blue Velvet by The Cocktail Preachers<br />25. Bohemian Rhapsody by The Thurston Lava Tube<br />26. Beyond the Sea by The Aquamarines<br />
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<a href="http://www91.zippyshare.com/v/6u2Y6MBA/file.html" target="_blank">waves1</a><br />
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Bonus trax - free downloads from website not included on cd<br />
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27. I Only Want To Be With You by The Glasgow Tiki Shakers<br />28. El Diablo De Polvo by The Swamp Coolers<br />29. Mar Gaya by Our Flying Saucer<br />30. The Disadvantages Of You by The Lost Boys of Penzance more details...<br />31. These Boots Were Made For Walking by The Detonators<br />32. Obligatory Blues by Scott Colby more details...<br />33.The Third Man Theme by Monkey Versus Robot<br /><br />
<a href="http://www91.zippyshare.com/v/NJLR3m8S/file.html" target="_blank">waves2 </a><br />
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<br />DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com5tag:blogger.com,1999:blog-2932931477893854979.post-38607390539738098432017-09-18T20:03:00.001-07:002017-09-18T20:03:19.207-07:00Men From S.P.E.C.T.R.E. - Claw <br /><blockquote>
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<div class="text-center">
<b>Men From S.P.E.C.T.R.E. - Claw </b></div>
After
4 years Men From S.P.E.C.T.R.E. strike back with their new masterpiece album
'Claw'. This time they dive even deeper into the late 1960s and early 1970s groovy spy sounds and deliver with the quality of a Swiss
made clock the ultimate Retro-Dance-Party album. The sound and music
of 'Claw' is so mind blowingly authentic, you feel immediately
taken on a trip by a time machine into the decade of Austin Powers spies, lies, and thighs. Hammond-sounds, 1960s Garage, Beat and Psychedelic Rock and a
hard knocking rhythm section melt into fireworks of an awesome spy thriller of the imagination. <span class="a-size-base review-text" data-hook="review-body"> Rather
than trying to recreate the 60's mod sound, the men are now
incorporating a more modern vision while staying true to the roots of
the movement they further. Their songs are layered with multiple levels
of sound, impeccable timing with sound effects that work with the music
and don't stand out as cheap sonics, and the rhythms are both groovy
and psychedelic at the same time. </span>Way cool. </blockquote>
<b>Tracklist:</b><br />01. The Claw<br />02. Take Me To Your Leader<br />03. Planetarium I & II<br />04. Dive Into The Mathmos<br />05. Holy Smoke<br />06. Jungle Flood<br />07. Dirt Track<br />08. The End<br />
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<a href="http://www46.zippyshare.com/v/yTtqW1xi/file.html" target="_blank">gotcha</a><br /> <br />
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com5tag:blogger.com,1999:blog-2932931477893854979.post-49248751858356234782017-09-05T20:27:00.000-07:002017-09-05T20:27:29.761-07:00On The Brink: Return Of The Instro-Hipsters <div class="text-center">
<b>On The Brink: Return Of The Instro-Hipsters </b></div>
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On
the Brink is a collection of 20 previously uncomped and absolutely
superb UK instrumentals from the '60s and early '70s, assembled by
legendary psych musician and Psychic Circle label-head, Nick Saloman
(The Bevis Frond). Presenting session men discovering sitars, orchestras
getting into the freaky side of things, hip theme tunes, Hammonds, fuzz
and brass. Somehow sophisticated and cheesy simultaneously, these acts
created their own musical world of Chelsea apartments, mini-mokes, dark
velvet bespoke tailoring and the dolliest birds this side of Battersea
Bridge. Welcome to the soundtrack of your own unmade Swinging London
movie. Artists include: Mike Vickers, the Jim Sullivan Sound, the Shock
Absorbers, Wynder K. Frog, Rita, Offside, the Les Reed Orchestra, David
Smith, the Keith Mansfield Orchestra, the Dave Davani Four, the Fidd,
Ken Woodman's Piccadilly Brass, the John Schroeder Orchestra, Trax Four,
the Mike Cotton Sound, Lee Mason and his Orchestra, the Vic Flick
Sound, the Chris Barber Soul Band, Brian Bennett and Stanley Myers.</blockquote>
From the mid-'60s to the early '70s, there were quite a few instrumental
releases recorded in the U.K. that seemed geared toward the easy
listening market. Or, if the intention wasn't quite as gauche, they
certainly weren't meant for the average rock fan, who likely wanted
something hipper with more vocals and guitars. Still, even if the
limited audience for these might have been (at least in part) listeners
who wanted to feel a little hip without getting too far out, the
musicians nonetheless couldn't help but be influenced by the rock, soul,
and jazz trends of the day. On the Brink: Return of the Instro-Hipsters
is a 20-track compilation of cuts from obscure 1965-1973 releases in
this mold, with Swinging London go-go-like organs and brass being
perhaps the most common (though by no means only) ingredients in the
arrangements. There are a few names here that will be known to serious
British Invasion fans, like Mike Vickers (from Manfred Mann), Jim
Sullivan (the numero uno British rock session guitarist before Jimmy
Page eclipsed him), Wynder K. Frog, the Mike Cotton Sound, the Dave
Davani Four, Vic Flick (famous for playing on "The James Bond Theme"),
and British senior jazz statesman Chris Barber; others are known as top
cats in the British easy listening arena and have already been honored
by reissues of their own (Ken Woodman and John Schroeder).<br /><br />While
any compilation that takes such an unusual angle to such a heavily mined
reissue field as British '60s pop is to be applauded, you'd have a hard
time pushing all of this as essential listening, even within its narrow
subgenre. A good deal of it really is kind of mundane background
soul-rock instrumental music – something that could have worked
satisfactorily on B-movie soundtracks of the era, but which doesn't
stand too well on its own two feet. There are occasional psychedelic
echoes on sitar and screeching fuzz guitar, but these sound more like
cheesy appropriations to make the cuts seem more "with it" than they
sound like outbursts of creativity. It's only occasionally that the
tracks let rip with the groovy organ and devious spy guitar licks lots
of curious listeners will really want to hear, as the Dave Davani Four's
fine cover of the "Top of the Pops" theme and the Vic Flick Sound's
"West of Windward" do on both counts. As for other gut-grabbers, Ken
Woodman's Piccadilly Brass' "Mexican Flier" would have worked great as a
'60s Bond-like thriller theme, and the Chris Barber Soul Band's
"Morning Train" (from 1965) has to be the veteran jazzer's most
effective stab at the pop/rock market, with some great Brian Auger organ
and an edgy jazz-blues fusion that approximates (but doesn't quite
match) the sound of the Graham Bond Organisation. Some worthwhile and
fun stuff here, then, but there's a significant gap between the best of
it and the rest of it. <br /><br />
<div class="text-right">
<i>Review by Richie Unterberger, Allmusic.com</i></div>
<div class="text-right">
<i> </i></div>
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<i> </i><b>Tracklist:</b><br /><br />01. Mike Vickers - On The Brink (02:23)<br />02. The Jim Sullivan Sound - She Walks Through The Fair (02:44)<br />03. The Shock Absorbers - It's Your Thing (02:40)<br />04. Wynder K. Frog - I'm A Man (03:20)<br />05. Rita - Sexologie (03:17)<br />06. Offside - Small Deal (02:08)<br />07. The Les Reed Orchestra - Big Drum (01:58)<br />08. David Smith - See Me (02:32)<br />09. The Keith Mansfield Orchestra - Soul Thing (02:59)<br />10. The Dave Davani Four - Top Of The Pops (02:12)<br />11. The Fidd - Happy Walk (02:30)<br />12. Ken Woodman's Piccadilly Brass - Mexican Flier (02:35)<br />13. The John Schroeder Orchestra - Nightrider (02:55)<br />14. Trax Four - Moanin' (02:01)<br />15. The Mike Cotton Sound - Soul Serenade (02:42)<br />16. Lee Mason And His Orchestra - Deadly Nightshade (03:03)<br />17. The Vic Flick Sound - West Of Windward (02:59)<br />18. The Chris Barber Soul Band - Morning Train (02:28)<br />19. Brian Bennet - Tricycle (02:50)<br />20. Stanley Myers - Organ Fantasia in D Major (05:49)</div>
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<a href="http://www115.zippyshare.com/v/LMd6ykQ5/file.html" target="_blank">hipsville dudes </a></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com4tag:blogger.com,1999:blog-2932931477893854979.post-7623380903209994002017-09-05T20:16:00.003-07:002017-09-05T20:16:16.337-07:00Return Of The Instro-Hipsters, Volume 2 <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgisM-Dquqij2EMse-ZG6JJxDrZVigYHAqlLpLPJxklGJY8wy-MrR-T5La-8d1ElVswXXIaCbYTB1o34hXAVCbXq-kXPeBw5juzWbCcc1bq56ZMz6efYJ9xOrjfECrkeGFxllMV1xvGJXEA/s1600/cover.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="931" data-original-width="932" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgisM-Dquqij2EMse-ZG6JJxDrZVigYHAqlLpLPJxklGJY8wy-MrR-T5La-8d1ElVswXXIaCbYTB1o34hXAVCbXq-kXPeBw5juzWbCcc1bq56ZMz6efYJ9xOrjfECrkeGFxllMV1xvGJXEA/s320/cover.jpg" width="320" /></a></div>
<div class="text-center">
<b>Return Of The Instro-Hipsters, Volume 2 <br /><i>Groovy Instrumentals From The UK 1965-1973</i></b></div>
<blockquote>
Nick
Saloman of the Bevis Frond once again invites us to join him in the
obscure pleasures of little-known pop, R&B, and jazz instrumental
sides of the '60s and '70s with this collection. A number of the
selections featured on Return of the Instro-Hipsters are so obscure that
even Saloman isn't sure just who is responsible for them (though he
offers some educated guesses on the artists behind such names as Sharks,
Oliver Bone, and the Masked Phantom), but there are a good share of
solid grooves and kicky melodies to be found here from a number of
gifted little-knowns. If you went to the movies in the '70s, "Soul
Thing" by Tony Newman will sound familiar, while flautist Harold McNair
solos over a Dave Brubeck-influenced piano groove on "The Hipster,"
Jerry Allen demonstrates new uses for game calls on "Fuzzy Duck,"
Thunder Road's synthesized version of "Peter Gunn" beats Art of Noise's
variation on the theme by more than 15 years, "The Brooke Bond Beat" by
Cliff Adams may be the most swingin' tea commercial ever, and the Outer
Limits serve up some tough, moody rock, appropriately titled "Black
Boots." While there's a bit of "Space Age Bachelor Pad" ambience to this
set, it's more a matter of evoking a period than obsessing over a
particular sound or style; the disc doesn't wallow in camp for its own
sake, with solid instrumental chops and strong songwriting the order of
the day. Another solid offering from what's becoming one of the most
consistently interesting reissue labels operating today.<br />
<br />
<div class="text-right">
<i>Review by Mark Deming, Allmusic.com</i></div>
</blockquote>
<b>Tracklist:</b><br /><br />01. D Cordell's Tea Time Ensemble - A Quick One For Sanity (03:08)<br />02. The 4 Instants - Discotheque (02:42)<br />03. The Roger Coulam Quartet - Simba (02:05)<br />04. Harold McNair - The Hipster (04:41)<br />05. Music Through Six - Floppy Ears (02:38)<br />06. Sounds Sensational - Night Cry (02:19)<br />07. The Masked Phantom - Fried Scampi (02:33)<br />08. The Johnny Harris Orchestra - Lulu's Theme (02:28)<br />09. Tony Newman - Soul Thing (03:14)<br />10. The Tony Evans Band - Beach Bird (02:34)<br />11. Kenny Clare - Hum Drum (01:53)<br />12. Sharks - Funkology (02:22)<br />13. The Outer Limits - Black Boots (03:21)<br />14. Cliff Adams - The Brooke Bond Beat (02:22)<br />15. Oliver Bone - Jugger Tea (02:56)<br />16. Thunder Road - Peter Gunn (02:14)<br />17. Jerry Allen - Fuzz Duck (02:51)<br />18. Paraffin Jack Flash - Blue & Groovy (04:15)<br />19. The Helmut Zaccharias Orchestra - Ton Up (02:37)<br />20. Ning - More Ning (02:44)<br />
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<a href="http://www94.zippyshare.com/v/PtibHOD7/file.html" target="_blank">hipster2</a><br />DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-68182128996460458152017-09-05T20:05:00.000-07:002017-09-05T20:32:42.514-07:00Roaring Blue: Return Of The Instro-Hipsters Vol. 3<!--[if gte mso 9]><xml>
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Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
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<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
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<br />
<div class="text-center">
<b>Roaring Blue: Return Of The Instro-Hipsters Vol. 3 </b></div>
<div class="text-center">
<b><i>20 Groovy Instrumentals From The '60s & '70s</i></b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFYFMEfJuSNIByaJEUD-TdK9-aO9cdKmGkCr8eztrSFyklrRWuSvSU_qruPSNn7Esw1o-LjBulcmejWfGP1IPrMqQ6NqFxfRczveD6hKXQNL_HJGibBzgDq4Y-NZc6p01Ic1_dHAaqcSVg/s1600/cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="931" data-original-width="940" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFYFMEfJuSNIByaJEUD-TdK9-aO9cdKmGkCr8eztrSFyklrRWuSvSU_qruPSNn7Esw1o-LjBulcmejWfGP1IPrMqQ6NqFxfRczveD6hKXQNL_HJGibBzgDq4Y-NZc6p01Ic1_dHAaqcSVg/s320/cover.jpg" width="320" /></a></div>
<blockquote>
The
seemingly bottomless record collection of Nick Saloman from the Bevis
Frond has spawned the third in an ongoing series of albums collecting
obscure instrumental tracks from the '60s and '70s, and while many of
these songs support the popular notion that the hipper and more
interesting rock artists of the day were fond of vocal numbers, there
are some fun and exciting tunes to be found on this set. Roaring Blue
draws its title from the lead-off track, a swinging dance tune by the
Sound of Jimmy Nicol, featuring the drummer who briefly replaced an
ailing Ringo Starr during a tour in 1964 (this may explain why Nicol's
drums are so far up in the mix), while members of the long-running U.K.
pop band Blue Mink appear on the track "Beat Party" under the pseudonym
the Underground, and John McLaughlin adds guitar licks to "Trans-Love
Airways" by Big Jim Sullivan. That's about it for star power on this
volume, but the lesser known acts are in equally solid form here, with
the Des Champ Orchestra delivering a slightly rocked-up arrangement of
the theme from It Takes a Thief, Casey and the Pressure Group bringing
some supper club funk to a cover of the Shocking Blue's "Venus," Okko
Bekker's sitar and a whacked-out synth solo adding to the fun on
"Santana," jazzman Shake Keane generating a fine Northern soul dance
groove with "Make with Shake," and the Jim Doherty Trio making with some
potent organ-based groove jazz on "Ladies Wear"." Many of the other
cuts on board are uncomfortably generic sounding, and too many of these
songs fit into the same faux-R&B template, making the set a bit
tiring by the time it comes to a close. But the good numbers manage to
outnumber the bad (just barely), and if you have a soft spot for the
kitschy side of U.K. pop, Roaring Blue is just what the doctor ordered.<br />
<br />
<div class="text-right">
<i>Review by Mark Deming, Allmusic.com</i></div>
</blockquote>
<br />
<div style="line-height: 137%; margin-bottom: 5.05pt;">
<b>Tracklist:</b><br />
<br />
01. The Sound of Jimmy Nicol - Roaring Blue (02:14)<br />
02. The Des Champ Orchestra - It Takes a Thief (02:22)<br />
03. Clubman - Round Up (02:46)<br />
04. The Duke of Burlington - 30-60-90 (02:12)<br />
05. Casey & The Pressure Group - Venus (03:01)<br />
06. Okko Bekker - Santana (04:05)<br />
07. The Keith Mansfield Orchestra - Boogaloo (03:44)<br />
08. The Underground - Beat Party (02:44)<br />
09. The 4 Instants - All About My Girl (03:40)<br />
10. Rajah - Deadeye Dick (02:54)<br />
11. Ram Inn Junction - Junction Blues (02:36)<br />
12. Shake Keane - Make with Shake (02:41)<br />
13. Monty Babson - My Friend Jack (03:03)<br />
14. Johnny Howard Band - El Pussy Cat (02:57)<br />
15. Electric Bird - Stoned Out (02:17)<br />
16. The Jim Doherty Trio - Ladies Wear (02:57)<br />
17. The Cyril Stapleton Orchestra - Theme from Department S (02:57)<br />
18. Big Jim Sullivan - Trans-Love Airways (02:09)<br />
19. The Stormsville Shakers - J.C. Greaseburger (04:02)<br />
20. The New Dance Orchestra - Theme Number One (02:54<i>)</i></div>
<div style="line-height: 137%; margin-bottom: 5.05pt;">
<a href="http://www47.zippyshare.com/v/GMwiUxRE/file.html" target="_blank">hipsville3</a></div>
<div style="line-height: 137%; margin-bottom: 5.05pt;">
<br />
<span style="color: red; font-size: 11.0pt; line-height: 137%;"></span><span style="color: black; font-family: "helvetica" , sans-serif;"></span></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com3tag:blogger.com,1999:blog-2932931477893854979.post-35410849386522833402017-07-22T09:38:00.000-07:002017-07-22T09:39:05.011-07:00VA - Britxotica!: London's Rarest Primitive Pop And Savage Jazz <div class="text-center">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLjVLx6Zh8DB1H3BpsnmUf8j1aA1ZJ_uyyrHg8i_a9_izNaYVcHqDtiVzfAu-nJ3JdSVW6LMPAemChIkKBYRyMwystzcLGDBP9q1y8_WBlRg_2TU2Nth8jtLVb7S7oXCHSDAhDX55YOIh3/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLjVLx6Zh8DB1H3BpsnmUf8j1aA1ZJ_uyyrHg8i_a9_izNaYVcHqDtiVzfAu-nJ3JdSVW6LMPAemChIkKBYRyMwystzcLGDBP9q1y8_WBlRg_2TU2Nth8jtLVb7S7oXCHSDAhDX55YOIh3/s320/front.jpg" width="320" /></a></div>
<b>VA - Britxotica!: London's Rarest Primitive Pop And Savage Jazz </b><br />
<br />
<span id="ctl00_ContentPlaceHolder1_lblDescription">So you thought
exotic recordings only came from Hawaii or the USA? Well, you're wrong.
Here's a collection of amazing, far-flung sounds from the UK. Rare,
wild, and just itching to turn your turntable into a strange pagan place
of sonic worship. Just try to keep those cocktails from flowing and
your clothes on. "Britxotica" (pronounced "Britzotica") is a word you
may never have come across before. This term neatly describes an odd and undocumented pre-Beatles musical scene in which famed UK composers, singers, and bandleaders
threw convention to the wind and went wild wild wild! Drawing influences
from Hollywood, Hawaii, and holiday (any hot and frantic destination
would do) they conjured up sounds to suit a modern but fledgling escape
from the gray trudge of postwar London. The result is a bunch of rare,
mod, wild, and naïvely experimental trips into the tribal, but keeping
the white suit, shirt, and tie firmly in place no matter what the
temperature. Fascinating, sometimes fierce, and often absolutely
bananas, this new album of old toss is an absolute trip! </span></div>
<br />
Tracklist:<br />
<br />
1. African Waltz - Lyn Cornell<br />
2. Jungle Drums - Ted Heath<br />
3. Poinciana - Allan Bruce<br />
4. Bahama Rumba - Rawicz And Landauer<br />
5. Follow Me - Lucille Mapp<br />
6. Taboo - Sounds Incorporated<br />
7. Run Joe - Nadia Cattouse<br />
8. Street of a Thousand Bongos - Brian Fahey<br />
9. Zambezi - Tony Mansell & Johnny Dankworth<br />
10. Ritual Blues - Reg Owen<br />
11. The Green Eye of the Little Yellow God - Harry H. Corbett<br />
12. Take My Lips - Laurie Johnson & His Orchestra<br />
13. A Night of Adventure - Edmundo Ros<br />
14. Cha Cha Cha Calypso - Maxine Daniels<br />
15. Cerveza - Cherry Wainer<br />
16. The Hat - Jerry Allen<br />
<br />
<a href="http://www69.zippyshare.com/v/HeJvtkbx/file.html" target="_blank">britbeatjungle </a><br />
<br />
More history and track info in comments. DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com5tag:blogger.com,1999:blog-2932931477893854979.post-24533774822349401952017-07-22T09:23:00.000-07:002017-07-22T09:23:43.106-07:00VA - Britxotica Goes East! Persian Pop and Casbah Jazz From the Wild British Isles!<div class="text-center">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgilVPQAEr-tlac6koKBbCd4yw6cDU-9rz5JcrQSsr0-0sNpfDaDPvQvMfAcMcQe9rdLw54Ae2IDs8Ja_nfIXInPfZOIdIdrnixyPzcqptqivTA7s0WiDRoewRMUmSslF9fZ5Zh4t3RH0in/s1600/front.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgilVPQAEr-tlac6koKBbCd4yw6cDU-9rz5JcrQSsr0-0sNpfDaDPvQvMfAcMcQe9rdLw54Ae2IDs8Ja_nfIXInPfZOIdIdrnixyPzcqptqivTA7s0WiDRoewRMUmSslF9fZ5Zh4t3RH0in/s320/front.jpg" width="320" /></a></div>
<b>VA - Britxotica Goes East! Persian Pop and Casbah Jazz From the Wild British Isles! </b></div>
<br />A
breathtaking follow-up to the successful Britxotica! This takes us on a
magic carpet ride to a place where the Sphinx, sheiks, sand dances and
caravans of
camels are the
magical, musical norm. But this is music made by post war jazz musicians
and show girls from London - blimey! Yep, this is perfect Persian pop
and killer Casbah jazz made by Eastenders. It's also British music as
rare and as beautiful as Tutankhamun's treasure. You may never come
across a more exotic British sound<span id="goog_1383611934"></span><span id="goog_1383611935"></span> ever again…you'll be cursed if you miss
it.<br />
<br />
Tracklist:<br />
<br />
1. Sphinx Won't Tell - The Beverley Sisters<br />
2. Yashmak - Chico Arnez & His Orchestra<br />
3. Caravan - Stanley Black<br />
4. Four Beats to the Casbah - Johnny Keating & His Z-Men<br />
5. Persian Twist - Charles Blackwell<br />
6. Baghdad Bazaar - Philip Green & His Mayfair Orchestra<br />
7. Sheik Or Morocco - Kenny Day<br />
8. Marrakesh - Tony Osborne<br />
9. Climb Up the Wall - Yana<br />
10. Miserlou - Stanley Black<br />
11. Delilah's Theme - Johnny Keating Kombo<br />
12. Call of the Casbah - Laurie Johnson<br />
13. Lonely One - Roy Tierney<br />
14. Turkish Coffee - Tony Osborne<br />
15. Kazoo - Reg Owen<br />
16. The Sultan of Bezaaz - Ray Ellington<br />
<br />
<a href="http://www69.zippyshare.com/v/rHL9R9a0/file.html" target="_blank">bellydance </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com1tag:blogger.com,1999:blog-2932931477893854979.post-38186466737884046512017-07-22T09:19:00.000-07:002017-07-22T09:19:13.011-07:00VA - Tropical Britxotica! Polynesian Pop and Placid Jazz from The Wild British Isles!<div class="text-center">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGSGdhSadltW1w5DryPjmIo22-Tvyhe8faOf0cs6ZkrpfIgdvRkvzM3X5whCAUZ2lwxHtONw2jEaatHqgmj31enBQ48ikh_tj-Chxb0bYfOP88BF8XcvvP2-gYz9qlkWg8gjGku1ky_Zcl/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGSGdhSadltW1w5DryPjmIo22-Tvyhe8faOf0cs6ZkrpfIgdvRkvzM3X5whCAUZ2lwxHtONw2jEaatHqgmj31enBQ48ikh_tj-Chxb0bYfOP88BF8XcvvP2-gYz9qlkWg8gjGku1ky_Zcl/s320/front.jpg" width="320" /></a></div>
<b>VA - Tropical Britxotica Polynesian Pop and Placid Jazz from The Wild British Isles! </b></div>
Ah
exotica, that curious
creature.
Where (in this case) British musicians dress up as what they imagine
musicians from distant lands sound like, with strange and wonderful
results. Jonny Trunk and Martin Green have assembled a strong selection
of rare exotica records with a tropical theme for this edition of
their Britxotica compilation series: Polynesian Pop and Placid Jazz . <br />
<br />
Tracklist:<br />
<br />
01 Lucille Map - Mangoes 02:27<br />
02 Frank Weir - Hawaiian Honeymoon 03:01<br />
03 The Sound Of Ed White - Coral Reef 02:45<br />
04 Ron Goodwin - Tropical Mirage 02:59<br />
05 Geoff Love - Heatwave 03:04<br />
06 Marion Ryan - An Occasional Man 02:12<br />
07 Edmundo Ros - Summertime 02:26<br />
08 Dick Katz - Dreamride 02:34<br />
09 George Melly - Run See Jerusalem 02:50<br />
10 International Pops All Stars - Green Eyes 02:14<br />
11 Johnny Gentle - Milk From The Coconut 02:32<br />
12 Ted Heath - Haitian Ritual 03:33<br />
13 Betty Smith - Stormy Weather 02:45<br />
14 Martinas And His Music - Quiet Village 02:52<br />
15 Norrie Paramour - Hawaii 02:01<br />
16 Lucille Map - On Treausre Island 02:31<br />
<br />
<a href="http://www69.zippyshare.com/v/6mTtLYYy/file.html" target="_blank">tropics </a><span id="goog_1383611927"></span><span id="goog_1383611928"></span>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-59089619510852612752017-07-04T08:54:00.003-07:002017-07-04T08:54:45.969-07:00That's New Pussycat Surf Tribute to Burt Bacharach<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSGoGiMzYy6gQwZ7haUDtWuJPbzr24FEOLKH3636J1oHULF2Xbif85hYsEEiPfhyphenhyphen9C24Bnk7KLE29lVTbIkexCp0DJgBHcJbJ6Jj8WH7NKIwqk_F0ScvfZ_CMURl9Fe7YZ5tWTysxIMwfS/s1600/salute+to+burt+med..jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="174" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSGoGiMzYy6gQwZ7haUDtWuJPbzr24FEOLKH3636J1oHULF2Xbif85hYsEEiPfhyphenhyphen9C24Bnk7KLE29lVTbIkexCp0DJgBHcJbJ6Jj8WH7NKIwqk_F0ScvfZ_CMURl9Fe7YZ5tWTysxIMwfS/s400/salute+to+burt+med..jpg" width="173" /></a></div>
<span style="font-family: arial;">That's New Pussycat Surf Tribute to Burt Bacharach<br /><br />This
isn't the first instrumental treatment of Burt Bacharach's songs. There
have been several, including an album of Moog synthesizer arrangments
entitled (what else?) Switched On Bacharach. Nor is this the first
tribute to Bacharach by various artists. But this IS, as far as I know,
the first tribute to Bacharach by instrumental surf and garage bands.
The idea of surf and garage bands paying homage to arch-hodad Burt
Bacharach is, of course, crazy. MUCHO Loco. John Barry, okay, but Burt
Bacharach? In the 1960s, when surf pioneer Dick Dale was down at the
Southern California beach blasting out raucous dance music for Gidget
and Moondoggie, Burt Bacharach (ten years Dale's senior) was up in
Hollywood writing sophisticated pop tunes for their parents. </span><br /><br /><span style="font-family: arial;">My , how times have changed.</span><span style="font-family: arial;"><br /><br />When
surf music made a comeback in the 1990s, Bacharach was collaborating
with Elvis Costello. Still, nobody can deny the catchiness of
Bacharach's melodies. And it's not crazy, but actually a clever idea, to
remove those melodies from Hal David's cloying lyrics (you know, like:
"Pussycat, pussycat, I love you. Yes I do" or: "LA is a great big
freeway. Put a hundred down and buy a car"). Hey, you know, without Tom
Jones or Dionne Warwick singing, those songs are actually kinda cool!
The rough vocals and surf/garage attitude give some of them a whole new
meaning for the 07's. That is new, pussycat!<br />You might think that
Bacharach's quirky melodies would be a challenge for the bands
participating here. Surf and garage music aren't known for their exact
mastery of syncopation. The standard surf beat is a straight 'double on
the two, single on the four'. Bacharach, on the other hand, is all about
odd syncopation. And yet, listen for yourself: almost everybody pulls
it off, and some even do so brilliantly. Burt to shag to.<br /><br />1 24 Hours From Tulsa – Apeman<br />2. The Blob – Aqualads<br />3. Trains & Boats & Planes – Baronics<br />4. Casino Royale Theme - Big Ray & Futuras<br />5. Baby It's You - Bradipos Four<br />6. God Give Me Strenght – Chubbies<br />7. The Look of Love - Cosmonauti<br />8. Raindrops Keep Fallin On My Head – Deadbolt<br />9. The Windows of the World - Fabulous Planktones<br />10. Italian Fuzz - Fifty Foot Combo<br />11. Baby It's You - Hi-Fi Ramblers<br />12. Walk On By - Mill Valley Taters<br />13. Raindrops Keep Fallin On My Head - Mummy The Peepshow<br />14. This Guy's in Love With You - Noseriders<br />15. Baby It's You - Petty Booka<br />16. I Say a Little Prayer - Pollo Del Mar<br />17. Do You Know the Way to San José - Seks Bomba</span><br />
<span style="font-family: arial;">18. Close to You - Squid Vicious<br />19. Bond Street - Surfones<br />20. The Man Who Shot Liberty Valance - Susan & Surftones<br />21. What's New Pussycat? - Tiki Tones<br />22. Anyone Who Had a Heart - Richie Venus<br />23. (there's) Always Something to Remind Me - Voodoo Court<br />24. Downhill & Shady – Waistcoats25. Trains & Boats & Planes - Wrong Corpses</span><br />
<br />
<span style="font-family: arial;"><a href="http://www37.zippyshare.com/v/09nyKGad/file.html" target="_blank">partytime </a></span>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com1tag:blogger.com,1999:blog-2932931477893854979.post-91166572743100658982017-05-13T14:45:00.000-07:002017-05-13T14:45:25.558-07:00Devo - EZ Listening Muzak<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLV5H3iCc9Ff5BJ1pV6XkXgYi8bsUcTWyuiz0GJIQOLjyG5fruWCAdianp5nQmzTr9h_gcOQ0aKuDLw00j-Tg-if_MGBxdNmcJ4CYIC72LqhDVv4b4H5Tk7unWl4b1OFNLv7vDQBVAy3kQ/s1600/devooooo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLV5H3iCc9Ff5BJ1pV6XkXgYi8bsUcTWyuiz0GJIQOLjyG5fruWCAdianp5nQmzTr9h_gcOQ0aKuDLw00j-Tg-if_MGBxdNmcJ4CYIC72LqhDVv4b4H5Tk7unWl4b1OFNLv7vDQBVAy3kQ/s1600/devooooo.jpg" /></a></div>
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Devo - EZ Listening Muzak </div>
<div style="margin-bottom: 0in;">
Happy Mother's Day! Do you know your fondues
from your fon-don't's? Fear not spuds, Devo and Futurismo bring you the
perfect soundtrack to your space-age bachelor or bachelorette pad with
21 tracks of pure unhinged sophistication. Futurismo repressed this compilation of
muzak covers Devo recorded of their own songs and sold via their fan
club. This wonderfully bizarre material pushes the witty, eccentric and utterly
unique Devo sound in an even more devolishious direction. Whether you're entertaining guests with a bout of cheese and wine by the
fire or throwing the cocktail party of the century, these mutated muzak
lounge versions of Devo classics such as 'Whip It', 'Jocko Homo' and
'It's A Beautiful World' will be the perfect hors d'oeuvres for an
evening of de-evolved fun. Originally created as pre-concert mood
setters, popularity and sound board thievery led to EZ Listening Muzak
being sold back in the early 80s as two fan club only cassettes. Also
included alongside these cherished instrumentals of yesteryear is a
brand new EZ version of 'Human Rocket' - recorded exclusively for this
release! Bringing the timeline full circle. Isn't it about time you took it EZ? </div>
<div style="margin-bottom: 0in;">
<br />TRACKLIST<br /><br />CD1<br />1. Gates of
Steel<br />2. Girl U Want<br />3. Come Back Jonee<br />4. Whip It<br />5.
That's Good<br />6. Jerkin' Back and Forth<br />7. 4th Dimension<br />8.
Shout (Hello Kitty)<br />9. Mongoloid<br />10. Pity You<br />11. Goin'
Under<br /><br />CD2<br />1. Swelling Itchin Brain<br />2. Jurisdiction of
Love<br />3. Peek-a-boo!<br />4. Satisfaction<br />5. Space Junk<br />6. Time
Out for Fun<br />7. It's a Beautiful World<br />8. Jocko Homo<br />9.
Shout<br />10. Human Rocket (Laughing Gas Version) </div>
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<div style="margin-bottom: 0in;">
<a href="http://www111.zippyshare.com/v/cKyDXWgB/file.html" target="_blank">dinnerdevo </a></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com3tag:blogger.com,1999:blog-2932931477893854979.post-39633777619420589322017-04-21T09:38:00.000-07:002017-04-21T09:38:15.705-07:00Mickey Baker - In the 50s (1952-56) <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEIk40jhRFU_Hpv5NSATamhSaK9KtgH2pwKeFGh408B4-8S6jz4lX0ZF7-6aEWjQDtv2PLF1qDqdWeUOl2jCERkiSorkR-eeeKp2ZkRT0qZr36uUIViFfwvfb4bWT4Of41kmQtVxFCAtPX/s1600/folder.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEIk40jhRFU_Hpv5NSATamhSaK9KtgH2pwKeFGh408B4-8S6jz4lX0ZF7-6aEWjQDtv2PLF1qDqdWeUOl2jCERkiSorkR-eeeKp2ZkRT0qZr36uUIViFfwvfb4bWT4Of41kmQtVxFCAtPX/s320/folder.jpg" width="320" /></a></div>
<div style="margin-bottom: 0.2in;">
<b>Mickey Baker - In the 50s (1952-56) </b><br />
</div>
71 minutes. Mostly instrumental greasy, slinky, gut bustin' guitar. GIT IT! <br />
<blockquote>
Few rock & roll or R&B guitarists of the '50s and
'60s have a more consistently frantic body of work than the great
Mickey Baker, though his name isn't nearly as well-known as Chuck
Berry, Bo Diddley, or Ike Turner. Baker did most of his work as a
sideman, and his best-known recordings as a headliner found him
playing second fiddle to Sylvia Robinson as half of Mickey &
Sylvia (whose "Love Is Strange" remains a puzzling delight
50 years after it was recorded), but folks who know and love
first-era rock & roll are aware of Baker's greatness, and this
collection is a superb overview of his work, both as a bandleader and
as a hired gun.<br /><br />Containing a hefty 31 tracks recorded between
1952 and 1956, In the '50s: Hit, Git & Split runs the gamut from
the low-key acoustic blues of Baker's "Love Me Baby" to the
wailing electric dread of Larry Dale's "Midnight Hours,"
the uptempo rockabilly of Joe Clay's "Did You Mean Jelly-Bean,"
the easy-swinging jump blues of Sam Price's "Rib Joint," a
double-time rewrite of Chuck Berry's "Maybellene" on
Brownie McGhee's "Anna Mae," and a rockin' re-recording by
Louis Jordan of "Caldonia" with Baker's guitar answering
the hearty peals of the horn section and Jordan's vocals. The word
"Wild" tended to pop up in the titles of Mickey Baker's
solo albums, and one spin of this disc will show you why – the
man's rough-and-tumble style screamed and hollered the blues whenever
he hit the strings, and Baker's solos are death-defying hoodoo magic
no matter what cut you cue up. Hit, Git & Split is a thoroughly
enjoyable set of vintage R&B that's good and greasy throughout,
and a peerless introduction to one of the great unsung heroes of rock
& roll.</blockquote>
<div style="margin-bottom: 0in;">
<i>Personnel & tracklist:</i><br />01
- Bill Hendricks - Spinnin' Rock Boogie<br />02 - Mickey Baker - Love
Me Baby<br />03 - Mickey Baker - Brandstand Stomp<br />04 - Mickey Baker
- Riverboat<br />05 - Big Red McHouston - I'm Tired<br />06 - Big Red
McHouston - Stranger Blues<br />07 - Larry Dale - You Better Heed My
Warning<br />08 - Larry Dale - Midnight Hours<br />09 - Mickey Baker -
Shake Walkin'<br />10 - Larry Dale - Down to the Bottom<br />11 - Mickey
Baker - Greasy Spoon<br />12 - Larry Dale - Please Tell Me<br />13 -
Mickey And Sylvia - Where Is My Honey<br />14 - Mickey And Sylvia - No
Good Lover<br />15 - Mickey Baker - Rock With a Sock<br />16 - Mickey &
Sylvia - Love Is Strange<br />17 - Joe Clay - Did You Mean
Jelly-Bean<br />18 - Charles Calhoun - Runaway<br />19 - Little Willie
John - I Need Your Love So Bad<br />20 - Titus Turner - All Around the
World<br />21 - Sam Price - Rib Joint<br />22 - Brownie McGhee - Anna
Mae<br />23 - Eddie Riff - My Baby's Gone Away<br />24 - Louis Jordan -
Caldonia '56<br />25 - Tiny Kennedy - Country Boy<br />26 - Mr Bear And
His Bearcats - The Bear Hug<br />27 - Roy Gaines - Worried 'Bout You
Baby<br />28 - Square Walton - Pepper-Head Woman<br />29 - Champion Jack
Dupree - Stumbling Block<br />30 - Big John Greer - Come Back Uncle
John<br />31 - Young Jessie - Hit Git And Split </div>
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<div style="margin-bottom: 0in;">
<a href="http://www13.zippyshare.com/v/DFtPLCK3/file.html" target="_blank">mickeybaby </a></div>
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DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-43620391900757070792017-04-03T20:07:00.000-07:002017-04-03T20:07:35.454-07:00The Mutants - Boogie De La Muerte<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdSE8Jb3o-pRpuuFX-e6C_4nie7gqsSIPbJd7P85u0-O-NlDdPaFMVL2kpRC5yPdrcq3M-6tts2PVub7KdnAy45XFh87UIwKkgFPyUjm9VOBcmbPZ4DUl1nPADTpP4xfW3MXee4Uligy0R/s1600/muts+boogie004327a9_medium.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdSE8Jb3o-pRpuuFX-e6C_4nie7gqsSIPbJd7P85u0-O-NlDdPaFMVL2kpRC5yPdrcq3M-6tts2PVub7KdnAy45XFh87UIwKkgFPyUjm9VOBcmbPZ4DUl1nPADTpP4xfW3MXee4Uligy0R/s1600/muts+boogie004327a9_medium.jpg" /></a></div>
The Mutants - Boogie De La Muerte<b> </b>Mixture of 60's garage rock, surf, porn funk and manic psychedelia, the
instrumental madness of The Mutants is a lost soundtrack for Russ
Meyer's, Tarantino's and Aki Kaurismäki's films. Impossible to
categorize, they call it "afro-garage-mambo".<br />
The Mutants were
founded
in 1998 by Weijjo a.k.a Abnormal, who wanted to form an instrumental
band after getting tired of difficult singers. Members were picked
partly from his previous punk band "Isebel's Pain" and from locations
you don´t want to know about. The sound of The Mutants has been
wonderfully
weird from the first beginnings, only to get seriously sicker since.
After the first chaotic gigs with the usual rock instrumentation +
organ, they needed to sound bigger. A Saxophone and percussion were
added. The originally punk/surf/garage -based stuff is now smashed
through
Parliament/Funkadelic filter. The beats have been funkier since. You
will love it with leather and rubber.<br />
<br />
<b>Tracklist:</b><br />01. P.I.P.<br />02. Texas Rampa Mutant<br />03. Lady Boy<br />04. Erotic Doner<br />05. Romanow<br />06. Muerte Le Mutande<br />07. Rotko<br />08. Ribuli<br />09. Fraude De El Fierro<br />10. Backnang<br />
<br />
<a href="http://www104.zippyshare.com/v/Hm5IDj4H/file.html" target="_blank">deathdance </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com1tag:blogger.com,1999:blog-2932931477893854979.post-77217336882661399342017-04-03T20:04:00.000-07:002017-04-03T20:04:12.295-07:00The Mutants - Grave Groove The Mutants - Grave Groove <br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaCAwwShcVd92VN7JMFUqEVHlZv9FNehws3tXf8aF1bFzJ-c8ahhnyuqlL0eUK_j6acl3LnOC-SPVnhshDIn9NGODE9-wUIeFkn_aPQF_CkCNLWU73uL6i8T_eMk_2LjWyJoXBjiJ3BX-o/s1600/muts+grave00432797_medium.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaCAwwShcVd92VN7JMFUqEVHlZv9FNehws3tXf8aF1bFzJ-c8ahhnyuqlL0eUK_j6acl3LnOC-SPVnhshDIn9NGODE9-wUIeFkn_aPQF_CkCNLWU73uL6i8T_eMk_2LjWyJoXBjiJ3BX-o/s1600/muts+grave00432797_medium.jpg" /></a></div>
Mixture of 60's garage rock, surf, porn funk and manic psychedelia, the
instrumental madness of The Mutants is a lost soundtrack for Russ
Meyer's, Tarantino's and Aki Kaurismäki's films. Impossible to
categorize, they call it "afro-garage-mambo".<br />
The Mutants were
founded
in 1998 by Weijjo a.k.a Abnormal, who wanted to form an instrumental
band after getting tired of difficult singers. Members were picked
partly from his previous punk band "Isebel's Pain" and from locations
you don´t want to know about. The sound of The Mutants has been
wonderfully
weird from the first beginnings, only to get seriously sicker since.
After the first chaotic gigs with the usual rock instrumentation +
organ, they needed to sound bigger. A Saxophone and percussion were
added. The originally punk/surf/garage -based stuff is now smashed
through
Parliament/Funkadelic filter. The beats have been funkier since. You
will love it with leather and rubber.<br />
<br />
<b>Tracklist:</b><br />01. Wham<br />02. Outerspace Odyssey<br />03. El Matador del Diablo<br />04. Queen of the Meadow Hill<br />05. Kalkutta<br />06. Nacht im Cafe Ohne<br />07. CMC (Carlos Muchas Cervezas)<br />08. Dark Galaxy<br />
<br />
<a href="http://www104.zippyshare.com/v/mxPuwOFz/file.html" target="_blank">groovyman </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-80353715304002467842017-04-03T20:00:00.000-07:002017-04-03T20:00:10.317-07:00The Mutants - Death Cult<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimJsK_a90Rmbm9nM3r4Ohkjs7divOHjqDhKChybD3tHXBkiBW4WFLyKZVugzlYJiG9AO5Gz84htBexXswM9EY4o_UZwD4TupI58z6xyq896vaGbl0vB-TL0dvl0ivfx-WFUVyyjRBFhBOj/s1600/muts+death00432798_medium.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimJsK_a90Rmbm9nM3r4Ohkjs7divOHjqDhKChybD3tHXBkiBW4WFLyKZVugzlYJiG9AO5Gz84htBexXswM9EY4o_UZwD4TupI58z6xyq896vaGbl0vB-TL0dvl0ivfx-WFUVyyjRBFhBOj/s1600/muts+death00432798_medium.jpg" /></a></div>
The Mutants - Death Cult<br />
Mixture of 60's garage rock, surf, porn funk and manic psychedelia, the
instrumental madness of The Mutants is a lost soundtrack for Russ
Meyer's, Tarantino's and Aki Kaurismäki's films. Impossible to
categorize, they call it "afro-garage-mambo".<br />The Mutants were
founded
in 1998 by Weijjo a.k.a Abnormal, who wanted to form an instrumental
band after getting tired of difficult singers. Members were picked
partly from his previous punk band "Isebel's Pain" and from locations
you don´t want to know about. The sound of The Mutants has been
wonderfully
weird from the first beginnings, only to get seriously sicker since.
After the first chaotic gigs with the usual rock instrumentation +
organ, they needed to sound bigger. A Saxophone and percussion were
added. The originally punk/surf/garage -based stuff is now smashed
through
Parliament/Funkadelic filter. The beats have been funkier since. You
will love it with leather and rubber.<br />
<br />
<b>Tracklist:</b><br />01. Welcome To Death Cult<br />02. Port-au-Prince<br />03. Heavy Caramba!<br />04. Cps In Heat<br />05. Iron Jamaica<br />06. Mutants Death Cult<br />07. Serious Mojo<br />08. Jung'ala<br />09. White Trash Trouble Man<br />10. The Ghost Of Meadow Hill<br />
<br />
<a href="http://www104.zippyshare.com/v/c9GZeVWk/file.html" target="_blank">killerdiller </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com1tag:blogger.com,1999:blog-2932931477893854979.post-80737456242169838782017-04-03T19:56:00.000-07:002017-04-03T19:56:32.258-07:00The Mutants - Voodoo Blues<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5-75av8VfDOffGvicBqT_mkTE5C8VT-oD6NM0urLEUgbF7R9a1hjsrgws7bmROLN2kekb4wwamKdJKtWjx-BeumCj0lFJjVH6mM5MJMF9nm3FudqagGIsK1Q4DsGxBrsc2H89rCmnT2SL/s1600/mut+voododd00432780_medium.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5-75av8VfDOffGvicBqT_mkTE5C8VT-oD6NM0urLEUgbF7R9a1hjsrgws7bmROLN2kekb4wwamKdJKtWjx-BeumCj0lFJjVH6mM5MJMF9nm3FudqagGIsK1Q4DsGxBrsc2H89rCmnT2SL/s1600/mut+voododd00432780_medium.jpg" /></a></div>
The Mutants - Voodoo Blues <br />
Mixture of 60's garage rock, surf, porn funk and manic psychedelia, the
instrumental madness of The Mutants is a lost soundtrack for Russ
Meyer's, Tarantino's and Aki Kaurismäki's films. Impossible to
categorize, they call it "afro-garage-mambo".<br />The Mutants were founded
in 1998 by Weijjo a.k.a Abnormal, who wanted to form an instrumental
band after getting tired of difficult singers. Members were picked
partly from his previous punk band "Isebel's Pain" and from locations you don´t want to know about. The sound of The Mutants has been wonderfully
weird from the first beginnings, only to get seriously sicker since.
After the first chaotic gigs with the usual rock instrumentation +
organ, they needed to sound bigger. A Saxophone and percussion were
added. The originally punk/surf/garage -based stuff is now smashed through
Parliament/Funkadelic filter. The beats have been funkier since. You will love it with leather and rubber.<br />
<br />
<b>Tracklist:</b><br />01. A Caligula<br />02. High Ride<br />03. Voodoo Blues<br />04. Sin Hipster<br />05. Lumbago<br />06. Stampede Caravan<br />07. Southern Far Out<br />08. Papa Simba<br />09. Move Along!<br />
<br />
<a href="http://www104.zippyshare.com/v/S83VUe7r/file.html" target="_blank">voodooyou </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-38945457533007216922017-03-09T17:58:00.000-08:002017-03-09T18:01:28.742-08:00Shazam! and Other Instrumentals Written by Lee Hazlewood<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLbtX5ii3sV3mBe2SAK5hm3w0udRd7MMSl-Cse1CBBvn5oD4XTJuqJ-IypzfLVWv6_su_EJmr4Zq_4XQ-Jk3zwHOtAmIA-ZI_2dU8NbONKBhTuMJmZQfS7pWaZnDyuuNyxbhyphenhyphenfFLBSL_rc/s1600/front.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLbtX5ii3sV3mBe2SAK5hm3w0udRd7MMSl-Cse1CBBvn5oD4XTJuqJ-IypzfLVWv6_su_EJmr4Zq_4XQ-Jk3zwHOtAmIA-ZI_2dU8NbONKBhTuMJmZQfS7pWaZnDyuuNyxbhyphenhyphenfFLBSL_rc/s320/front.jpg" width="320" /></a></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline;">Shazam! and Other Instrumentals Written by Lee Hazlewood</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">24 tracks. Shazam! features two dozen vocal-free (give or take the occasional rebel yell etc) nuggets written by the great Lee Hazlewood. Star of the show is twang master Duane Eddy with three great tracks: the title number, the menacing 'Stalkin' and 'This Town', a lesser-known 45 from Hazlewood's stint writing and producing gems for Nancy Sinatra and others at Reprise Records. Other key artists include guitar wiz Al Casey, top Wrecking Crew drummer Hal Blaine, renowned arranger,orchestra leader Jack Nitzsche and ace surf combo the Astronauts, not forgetting Dick Dale with his axe-shredding version of 'Angry Generation'. The most interesting and enjoyable tracks are the final two additives - neither of which rightly belong on this CD - a weird and almost creepy take on 'Some Velvet Morning' (24) and, preceding it, a demo instrumental of 'These Boots' by long-time collaborator Billy Strange which sounds like it could be an outtake from the self-same sessions that produced Nancy Sinatra's million-selling hit, although that is not acknowledged in the booklet so I could be wrong. BTW - The Residents did a wonderfully mutated version of this in their early days and Track 20, 'Zapata' (1964) by Jack Nitzsche is no relation to John Barry's seductive 'Zapata' from three years earlier. You've probably gotten an idea of what this album is all about. If you're into instrumentals from that classic period when they were all the thing, and you couldn't turn on the (AM) radio without hearing this type of music, this is for you. </span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline;">Tracklist</span><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">:</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">1. Duane Eddy – Shazam!</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">2. Al Casey – The Stinger</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">3. Duane Eddy – Stalkin'</span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">4. Tony Castle And The Raiders – Salty</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">5. Al Casey – Surfs You Right</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">6. The Astronauts – Movin'</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">7. Hal Blaine & The Young Cougars – Challenger II</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">8. Jack Nitzsche – Baja</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">9. The Rhythm Rockers – Moovin' N' Groovin'</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">10. The Ventures – Rebel-'Rouse</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">11. The Lively Ones – (Dance With The) Guitar Man</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">12. The Astronauts – El Aguila (The Eagle)</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">13. Hal Blaine & The Young Cougars – The Phantom Driver</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">14. The Astronauts – The Hearse</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">15. Dick Dale & His Del-Tones – Angry Generation</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">16. Lee Hazlewood's Woodchucks – Muchacho</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">17. The Challengers – Johnny October</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">18. Dino, Desi & Billy – Desi's Drums</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">19. Duane Eddy – This Town</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">20. Jack Nitzsche – Zapata</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">21. The Vanguards – A Stranger In Your Town</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">22. The Whisk Kids – Bo-Dacious</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">23. Billy Strange – These Boots Are Made For Walking</span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;">24. The Afro Blues Quintet – Some Velvet Morning </span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<br /></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><a href="http://www65.zippyshare.com/v/Kg9QD0cD/file.html" target="_blank">leebuddy </a></span></div>
<br />
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<a href="http://www65.zippyshare.com/v/Kg9QD0cD/file.html"><span style="background-color: transparent; color: black; font-family: "arial"; font-size: 11pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline;"><br /></span></a></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com5tag:blogger.com,1999:blog-2932931477893854979.post-170716531473713472017-02-21T20:21:00.001-08:002017-02-21T20:21:38.277-08:00The Tikiyaki Orchestra - Aloha, Baby!<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqskYHG7Yk-s5NflK_hUNkTaNrRCRYUdMGkstCAaTOTQeRxCyXMoeV05MhlgOLkhunLfqRXxDCEiHFJr82P6mA8cCzxXt7vx2npQwZhKV_W2diNUkKE4oqSyE29nxornddmoIu3BqFNiA0/s1600/folder.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqskYHG7Yk-s5NflK_hUNkTaNrRCRYUdMGkstCAaTOTQeRxCyXMoeV05MhlgOLkhunLfqRXxDCEiHFJr82P6mA8cCzxXt7vx2npQwZhKV_W2diNUkKE4oqSyE29nxornddmoIu3BqFNiA0/s320/folder.jpg" width="320" /></a></div>
<b>The Tikiyaki Orchestra - Aloha, Baby! (2011)</b></div>
<blockquote>
The
Tikiyaki Orchestra exist in a class by themselves. There really is no
other band quite like them on the planet. They take the Exotica
tradition as established by pioneers Denny, Lyman and Baxter and bring
it into the 21st century. Their unmistakable sound is a blend of the
coolest retro styles–exotica, lounge, space-age bachelor pad, crime
jazz, spy, surf, spaghetti western and more. <span class="a-size-base review-text" data-hook="review-body">The
professionalism of the musicians is evident and the orchestration is
right on. Like the perfect Martini, the sound is very clean and well
mixed, especially from drums and vibes neither of which are overstated.
They even throw in a little Hawaiian steel guitar to smooth things out.
While Tikiyaki Orchestra certainly evokes the musical stylings of
musicians like Martin Denny, Esquival, and Les Baxter, there is also a
jazzy influence a little more reminiscent of Dean Elliot and Les Brown. </span><span class="a-size-base review-text" data-hook="review-body">It has
been a long while since I have thought of any music as being just plain
fun. This is. It makes you want to throw a party just so you can play
this music during it. Spin "Aloha, Baby" at your next get together, it
absolutely will have a positive and completely groovy effect on your
guests.</span></blockquote>
<b>Track List:</b><br />
<br />
01. Theme For Jetsetters [03:09]<br />
02. Polynesian Village Love Theme [03:13]<br />
03. ALoha, Baby ! [02:43]<br />
04. La Hula Rhumba [04:00]<br />
05. In Search of Mei Ting [03:42]<br />
06. Kono's Revenge [02:47]<br />
07. Lotus Operandi [03:54]<br />
08. Mysteria [02:46]<br />
09. Chateau Leilani [02:15]<br />
10. Lahaina Morning Rain [02:31]<br />
11. Mana Pacifica [02:49]<br />
12. Hawai'i Nocturne [03:56]<br />
13. Captain Lush Black Box Recording [02:15]<br />
<br />
<a href="http://www27.zippyshare.com/v/P2fz0Xvt/file.html" target="_blank">trippy </a><br />
<div style="float: right;">
</div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-63506965913871125072017-02-21T20:07:00.001-08:002017-02-21T20:07:16.993-08:00<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VAjh0AV_3665QU5qgjuoodNMdwj4CXZ1hIm_BMkjDD_SvcMTqb2vXie3HLv-VjZbh1tG5qAyE_YGRNKN5I5KwH-KrM8EwmZFnFm5ptpuhR6LZcrXEd3DNOlICIFT4L7FeCW2qm-vgiRX/s1600/folder.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VAjh0AV_3665QU5qgjuoodNMdwj4CXZ1hIm_BMkjDD_SvcMTqb2vXie3HLv-VjZbh1tG5qAyE_YGRNKN5I5KwH-KrM8EwmZFnFm5ptpuhR6LZcrXEd3DNOlICIFT4L7FeCW2qm-vgiRX/s320/folder.jpg" width="320" /></a></div>
<b>The Tikiyaki Orchestra - Idol Worship (2015)</b></div>
<blockquote>
The
Tikiyaki Orchestra exist in a class by themselves. There really is no
other band quite like them on the planet. They take the Exotica
tradition as established by pioneers Denny, Lyman and Baxter and bring
it into the 21st century. Their unmistakable sound is a blend of the
coolest retro styles–exotica, lounge, space-age bachelor pad, crime
jazz, spy, surf, spaghetti western and more. <span class="a-size-base review-text" data-hook="review-body">"Idol
Worship" is a slightly new direction for the Tikiyaki
Orchestra. They are moving in a more "surfy" direction and less of the traditional exotica feel in previous works. Several of the tracks
sound as if they could be lifted from a B-movie soundtrack. The listener
looking for exotica as done in recent years by the Tikiyaki Orchestra
will be a little disappointed. A couple of tracks sound like Duane Eddy meets
the George Shearing Quintet. Tikiyaki Orchestra's website calls the new music
"sensual" and "most raw yet." Well, OK, if they say so. It's still awesome to these experienced ears.</span></blockquote>
<b>Track List:</b><br />
<br />
01. Idol Worship [04:24]<br />
02. Return to Orchid Isle [03:25]<br />
03. Pele's Kiss [03:25]<br />
04. Tiare Tahiti [03:07]<br />
05. Esplanade [03:05]<br />
06. Exotic In Blues [03:38]<br />
07. Zero Gravity [04:15]<br />
08. Paniolo [02:39]<br />
09. Eden Awaits [03:17]<br />
10. Malaga Cove [02:58]<br />
11. The Final Transmission [03:05]<br />
<br />
<a href="http://www27.zippyshare.com/v/tOQvvG2j/file.html" target="_blank">godaddygo </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-71477749740868705302017-02-21T19:50:00.000-08:002017-02-21T19:50:29.913-08:00The Tikiyaki Orchestra - Swingin' Sounds For The Jungle Jetset<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1jRxpdqH2Icd3aFyF6q2Nuq8GboVd-i9t1obdKVYD7tCRQL89HtvEWFCMZz_b9zGqSJhts77aLCtc8hC9jmUr0VIxX5OQS_cXarYxKacgKGsR0ZT1h4wsmIEFyzs7aAu7E9XS3gK12V4h/s1600/folder.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1jRxpdqH2Icd3aFyF6q2Nuq8GboVd-i9t1obdKVYD7tCRQL89HtvEWFCMZz_b9zGqSJhts77aLCtc8hC9jmUr0VIxX5OQS_cXarYxKacgKGsR0ZT1h4wsmIEFyzs7aAu7E9XS3gK12V4h/s320/folder.jpg" width="320" /></a></div>
<b>The Tikiyaki Orchestra - Swingin' Sounds For The Jungle Jetset (2009)</b></div>
<br />
The
Tikiyaki Orchestra exist in a class by themselves. There really is no
other band quite like them on the planet. They take the Exotica
tradition as established by pioneers Denny, Lyman and Baxter and bring
it into the 21st century. Their unmistakable sound is a blend of the
coolest retro styles–exotica, lounge, space-age bachelor pad, crime
jazz, spy, surf, spaghetti western and more.<br />
Their
4 albums…. “StereoExotique” , “Swingin’’ Sounds for the Jungle Jetset”,
"Aloha, Baby !" and "Idol Worship and other Primitive Pleasures" prove
that, Exotica is not just background music for the swingin’ tikiphile,
but you can actually hum along, due to catchy, concise and well crafted
songwriting, something that was not always necessarily a main component
of the original Exotica sound. <span class="a-size-base review-text" data-hook="review-body">You'll
love all the tropical bird effects, tremolo guitars, and "take me to a
simpler time" feel ingrained in the music. The whole album is solid and
upbeat, with no weak spots, and even the cheesy intro seems appropriate
once you get used to it. The sound quality is excellent, even played
through a High-End home system or headphones. I HIGHLY RECOMMEND this for your
Luau and Tiki parties.</span><br />
<b>Track List:</b><br />
<br />
01. Bachelor #1 [03:06]<br />
02. Tabu for Two [03:13]<br />
03. Singapore Swing [03:03]<br />
04. Bachelor #2 [02:01]<br />
05. Dan-O's Day Off [02:25]<br />
06. Sunset on the Kona Kai [03:41]<br />
07. Tango Tahiti [03:32]<br />
08. Bali Hai-Ball_FinalMix(master) [05:02]<br />
09. Makaha [02:59]<br />
10. Last Sampan to Kowloon [04:12]<br />
11. Bachelor #3 [02:43]<br />
12. Poho Moku [05:01]<br />
<br />
<a href="http://www27.zippyshare.com/v/T7aJV73L/file.html" target="_blank">swingbaby </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-30221914447989299592017-02-21T19:41:00.001-08:002017-02-21T19:41:35.512-08:00The Tikiyaki Orchestra - StereoExotique<div style="text-align: center;">
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1BYDWLF4ZsW6Rn1FCc5mF48W9j-sc6MGgpEkZSOXRSAnSs_FieH3IcUQtzs62GMUZpWRBlWKKOUVfGPODh7XUCpIRZTfNOOqvgjnf7fad5af6Kqp2lg3249tg-IZR65ueJHEHqTbNFI7/s1600/folder.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm1BYDWLF4ZsW6Rn1FCc5mF48W9j-sc6MGgpEkZSOXRSAnSs_FieH3IcUQtzs62GMUZpWRBlWKKOUVfGPODh7XUCpIRZTfNOOqvgjnf7fad5af6Kqp2lg3249tg-IZR65ueJHEHqTbNFI7/s320/folder.jpg" width="320" /></a></div>
<b>The Tikiyaki Orchestra - StereoExotique (2007)</b></div>
<br />
The
Tikiyaki Orchestra exist in a class by themselves. There really is no
other band quite like them on the planet. They take the Exotica
tradition as established by pioneers Denny, Lyman and Baxter and it into the 21st century. <span class="a-size-base review-text" data-hook="review-body"> </span>Their unmistakable sound is a blend of the
coolest retro styles–exotica, lounge, space-age bachelor pad, crime
jazz, spy, surf, spaghetti western and more. <span class="a-size-base review-text" data-hook="review-body">The instrumentation
is thick and lush with tons of percussion and beautiful vibes taking the
lead on most tunes. </span><span class="a-size-base review-text" data-hook="review-body">Standout
tracks for me are Mai Tais on the Moon, Waikiki Serenade, and Stranded
in Paradise. On this release all the music is performed by Jim Bacchi,
but in the past year the Tikiyakis have been performing live with a
7-piece orchestra. So put on your favorite aloha shirt, mix up a Zombie,
and fire up Stereoexotique!</span><br />
<div style="text-align: center;">
</div>
<br />
<b>Track List:</b><br />
<br />
01. X<–-You Are Here [00:50]<br />
02. Exotique [02:09]<br />
03. Mai Tais on the Moon [02:15]<br />
04. Waikiki Serenade [03:10]<br />
05. Koko Sufu [03:09]<br />
06. The Road to Punalu'u [02:47]<br />
07. Black Sand, Blue Sea [03:40]<br />
08. Shaka Hula Bossa Nova [04:59]<br />
09. Crossing Kilauea [03:12]<br />
10. Sneaky Tiki [02:49]<br />
11. Ali'I Fire Dance [03:44]<br />
12. Stranded in Paradise [03:11]<br />
13. Ocean Ambience [04:38]<br />
<br />
<a href="http://www119.zippyshare.com/v/QDZe9nzD/file.html" target="_blank">zombeeeede </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com3tag:blogger.com,1999:blog-2932931477893854979.post-18051051337730378362017-01-25T20:00:00.000-08:002017-01-25T20:00:02.057-08:00Red Hot Chili Pipers - Music for the Kilted Generation<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjitz1C6pefw_nW5k3gSTgEpuHhDJ54Pbc6aCyL-41bWSVKRhuTgvPPnVu_LMiszoe-opdkPVFL8PS1amhyphenhyphen61HJTTxQfchBopjFP6g7D7Urdr8i68_7TqNLpaet9dv1g2rQjrfhz5WkgGEc/s1600/pipkil5L.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjitz1C6pefw_nW5k3gSTgEpuHhDJ54Pbc6aCyL-41bWSVKRhuTgvPPnVu_LMiszoe-opdkPVFL8PS1amhyphenhyphen61HJTTxQfchBopjFP6g7D7Urdr8i68_7TqNLpaet9dv1g2rQjrfhz5WkgGEc/s320/pipkil5L.jpg" width="320" /></a></div>
Happy Bobby Burns Birthday!!! In celebration of Robert Burns birthday today went to our annual party - I provided these for music. For those who wonder HUH? Here's Wikipedia's sanitized bio --- <br />
<b>Robert Burns</b> (25 January 1759 – 21 July 1796), also known as <b>Rabbie Burns</b>, the <b>Bard of Ayrshire</b>, <b>Ploughman Poet</b> and various other names and epithets,<sup class="reference" id="cite_ref-4"><a href="https://en.wikipedia.org/wiki/Robert_Burns#cite_note-4">[nb 1]</a></sup> was a Scottish poet and lyricist. He is widely regarded as the <a class="mw-redirect" href="https://en.wikipedia.org/wiki/List_of_national_poets" title="List of national poets">national poet</a> of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the <a href="https://en.wikipedia.org/wiki/Scots_language" title="Scots language">Scots language</a>, although much of his writing is also in English and a light <a href="https://en.wikipedia.org/wiki/Central_Scots" title="Central Scots">Scots dialect</a>,
accessible to an audience beyond Scotland. He also wrote in standard
English, and in these writings his political or civil commentary is
often at its bluntest.<br />
He is regarded as a pioneer of the <a href="https://en.wikipedia.org/wiki/Romanticism" title="Romanticism">Romantic movement</a>, and after his death he became a great source of inspiration to the founders of both <a href="https://en.wikipedia.org/wiki/Liberalism" title="Liberalism">liberalism</a> and <a href="https://en.wikipedia.org/wiki/Socialism" title="Socialism">socialism</a>, and a cultural icon in Scotland and among the <a href="https://en.wikipedia.org/wiki/Scottish_diaspora" title="Scottish diaspora">Scottish diaspora</a> around the world. Celebration of his life and work became almost a national <a class="mw-redirect" href="https://en.wikipedia.org/wiki/Charismatic_cult" title="Charismatic cult">charismatic cult</a> during the 19th and 20th centuries, and his influence has long been strong on <a href="https://en.wikipedia.org/wiki/Scottish_literature" title="Scottish literature">Scottish literature</a>. In 2009 he was chosen as the greatest Scot by the Scottish public in a vote run by Scottish television channel <a class="mw-redirect" href="https://en.wikipedia.org/wiki/STV_%28TV_network%29" title="STV (TV network)">STV</a>.<br />
As well as making original compositions, Burns also collected <a href="https://en.wikipedia.org/wiki/Folk_music" title="Folk music">folk songs</a> from across Scotland, often revising or <a href="https://en.wikipedia.org/wiki/Literary_adaptation" title="Literary adaptation">adapting</a> them. His poem (and song) "<a href="https://en.wikipedia.org/wiki/Auld_Lang_Syne" title="Auld Lang Syne">Auld Lang Syne</a>" is often sung at <a href="https://en.wikipedia.org/wiki/Hogmanay" title="Hogmanay">Hogmanay</a> (the last day of the year), and "<a href="https://en.wikipedia.org/wiki/Scots_Wha_Hae" title="Scots Wha Hae">Scots Wha Hae</a>" served for a long time as an unofficial <a href="https://en.wikipedia.org/wiki/National_anthem" title="National anthem">national anthem</a> of the country. Other poems and songs of Burns that remain well known across the world today include "<a href="https://en.wikipedia.org/wiki/A_Red,_Red_Rose" title="A Red, Red Rose">A Red, Red Rose</a>", "<a class="mw-redirect" href="https://en.wikipedia.org/wiki/A_Man%27s_a_Man_for_A%27_That" title="A Man's a Man for A' That">A Man's a Man for A' That</a>", "<a href="https://en.wikipedia.org/wiki/To_a_Louse" title="To a Louse">To a Louse</a>", "<a href="https://en.wikipedia.org/wiki/To_a_Mouse" title="To a Mouse">To a Mouse</a>", "<a href="https://en.wikipedia.org/wiki/The_Battle_of_Sherramuir" title="The Battle of Sherramuir">The Battle of Sherramuir</a>", "<a href="https://en.wikipedia.org/wiki/Tam_o%27_Shanter_%28poem%29" title="Tam o' Shanter (poem)">Tam o' Shanter</a>" and "<a href="https://en.wikipedia.org/wiki/Ae_Fond_Kiss" title="Ae Fond Kiss">Ae Fond Kiss</a>".<br />
<div style="line-height: 100%; margin-top: 0.33in;">
I'm sparing you my 100 plus versions of "Auld Lang Syne" and giving you this to help celebrate. Enjoy. If you want the "Auld Lang Syne" I'll post them for your enjoyment and your friends/enemies/guests annoyance.</div>
<div style="line-height: 100%; margin-top: 0.33in;">
Red Hot Chili Pipers - Music for the Kilted Generation B<span style="font-size: small;">agpipes
with attitude. Drums with a Scottish accent. A blazing rock band and
a show so hot it carries its own health warning. The Red Hot Chilli
Pipers have rocked the world from New York to Beijing with
musicianship of the highest order and a passion for pipes that will
leave you breathless! <b><br /> </b></span>An abundance of energy--all the
power of the Scottish bagpipe times three and an amazing rock band
enhanced by brass, pipes, and drums. An unforgettable and unique
sound. Modern classics and rock anthems fused with the adrenaline
rush created by a passion for the Pipes! OK - not the best in the
world but really fun . As for this album, the Pipers only get better
and better. Best cut, Low Rider. Most fun, Everybody Dance, least
favorite Amazing Grace (not bad, just my least favorite rendition of
this song.) Been to too many funerals. <br /></div>
<div style="margin-bottom: 0in;">
Track listings 1. Long Way to the Top (If You
Wanna Bagrock) 2. Just For Willie 3. Chasing Cars 4. Hellbound Train
5. The Hidden Gem 6. Amazing Grace 7. Black Knight On The Crazy
Train 8. Low Rider 9. Radio Ga Ga 10. Little Cascade 11. Everybody
Dance Now 12. Let Me Entertain You 13. Baba O’Reilly </div>
<div style="margin-bottom: 0in;">
<br /></div>
<div style="margin-bottom: 0in;">
<a href="http://www9.zippyshare.com/v/G21Bl098/file.html" target="_blank">baggers </a></div>
<div style="margin-bottom: 0in;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj1qzPVjOyIVHUSx5FzLpeMiWpgFhm4PZ3fo61VUYwfbXh5Vl4WHQGPQElqCAC9OTwOhibZVZbLO1bPDU_D23AMxgsq9bN5rjCUkBnDJQh3VQreYa3SX5IV5oSFS6W5P6eVmsYMj-UByxb/s1600/20170121_214231%25281%2529.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj1qzPVjOyIVHUSx5FzLpeMiWpgFhm4PZ3fo61VUYwfbXh5Vl4WHQGPQElqCAC9OTwOhibZVZbLO1bPDU_D23AMxgsq9bN5rjCUkBnDJQh3VQreYa3SX5IV5oSFS6W5P6eVmsYMj-UByxb/s320/20170121_214231%25281%2529.jpg" width="180" /></a></div>
<div style="margin-bottom: 0in;">
</div>
<div style="line-height: 100%; margin-top: 0.33in;">
Me and my Kilt celebrating Bobby Burns.</div>
<div style="line-height: 100%; margin-top: 0.33in;">
<br /></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-55971014941750215772017-01-25T19:36:00.000-08:002017-01-25T19:36:47.426-08:00Red Hot Chili Pipers - Octane<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5sjVQBPTMSdk4erwh63XlTrbs1c2YUVogHXHuvJpj1RXh9vpOtP0SvNATJ2SzVG28WO4MbC3-fKFkHAEwjljyIP2KrbdfnACKra-YU06pXhMRnW8HpLYO02jLpw0nTTB7Mz9xauz8_0l/s1600/cover.jpeg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk5sjVQBPTMSdk4erwh63XlTrbs1c2YUVogHXHuvJpj1RXh9vpOtP0SvNATJ2SzVG28WO4MbC3-fKFkHAEwjljyIP2KrbdfnACKra-YU06pXhMRnW8HpLYO02jLpw0nTTB7Mz9xauz8_0l/s320/cover.jpeg" width="320" /></a></div>
<div style="line-height: 100%; margin-top: 0.33in;">
Red Hot Chili Pipers - Octane<span style="font-size: small;"> </span></div>
<div style="line-height: 100%; margin-top: 0.33in;">
<span style="font-size: small;">Bagpipes
with attitude. Drums with a Scottish accent. A blazing rock band and
a show so hot it carries its own health warning. The Red Hot Chilli
Pipers have rocked the world from New York to Beijing with
musicianship of the highest order and a passion for pipes that will
leave you breathless! <b><br /> </b></span>An abundance of energy--all the
power of the Scottish bagpipe times three and an amazing rock band
enhanced by brass, pipes, and drums. An unforgettable and unique
sound. Modern classics and rock anthems fused with the adrenaline
rush created by a passion for the Pipes! OK - not the best in the
world but really fun. Cool versions of modern rock and some trad. thrown in. Good for parties to freak folks out.
</div>
<div style="margin-bottom: 0in;">
TRACKLIST</div>
<div style="margin-bottom: 0in;">
1. La Grange: La Grange / The Green
Room (4:04)</div>
<div style="margin-bottom: 0in;">
2. Starlight: Starlight / Charlie Brown
(5:16)</div>
<div style="margin-bottom: 0in;">
3. Time for Trad: The Kesh / Old
Wullie’s Dog / Merrily Kiss the Quaker's Wife (3:12)</div>
<div style="margin-bottom: 0in;">
4. Fat Bottomed Girls: Fat Bottomed
Girls / Fat Arsed Lassies (3:05)</div>
<div style="margin-bottom: 0in;">
5. Seven Nation Army: Roadhouse Song /
Seven Nation Army (2:54)</div>
<div style="margin-bottom: 0in;">
6. Pressed For Time (4:21)</div>
<div style="margin-bottom: 0in;">
7. The Fallen (3:26)</div>
<div style="margin-bottom: 0in;">
8. Chasing Love (1:47)</div>
<div style="margin-bottom: 0in;">
9. The Way It Is: The Way It Is /
Chasing Love (3:36)</div>
<div style="margin-bottom: 0in;">
10. Jump: Jump / Dancing Feet (3:42)</div>
<div style="margin-bottom: 0in;">
11. Neon: Neon / Wee Derek’s Song
(3:22)</div>
<div style="margin-bottom: 0in;">
12. Everybody Wants to Rule the World:
The Bung / Everybody Wants to Rule the World (2:58)</div>
<div style="margin-bottom: 0in;">
13. Wild Mountain Thyme (4:12)</div>
<div style="margin-bottom: 0in;">
14. Urban: Rip the Calico (4:18)
</div>
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<br /></div>
<a href="http://www9.zippyshare.com/v/Oa1hj8XV/file.html" target="_blank">basdfkljgndsreohilu</a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com0tag:blogger.com,1999:blog-2932931477893854979.post-20053308699798007542017-01-05T16:50:00.001-08:002017-01-05T16:52:26.391-08:00The Tikiyaki Orchestra - Tikiyaki 5-0 <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvTD-nHk1fMTsBZRZkAqhPGOzS7-h4exExvRkw54bv-SVNrVBq5eclYjdO6TmlTzZ51NQQerO3m37H3swzPDhAiCDx-rCRtphxau21eZoIgXe-89mtAV5c1TYxGgeHjlpGW0jBpyhselab/s1600/folder.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvTD-nHk1fMTsBZRZkAqhPGOzS7-h4exExvRkw54bv-SVNrVBq5eclYjdO6TmlTzZ51NQQerO3m37H3swzPDhAiCDx-rCRtphxau21eZoIgXe-89mtAV5c1TYxGgeHjlpGW0jBpyhselab/s320/folder.jpg" width="320" /></a></div>
<div style="text-align: center;">
<b>The Tikiyaki Orchestra - Tikiyaki 5-0 EP</b></div>
<blockquote>
Tikiyaki
5-0 's debut EP is the Orchestra's surf garage band little brother.
Stripped down and more raw, 5-0 turns up the volume a bit, and the
reverb a whole lot , taking The Tikiyaki sound and breaking it down to a
more back to basics approach. Tikiyaki 5-0, is the smaller, pared down
version of Tikiyaki Orchestra featuring core members …..Jim Bacchi on
guitar, Brian Kassan on Keys and guitar, Jonpaul Balak on Bass, and
Pablo Baza on drums…<br />
Mixing tradional 60's style surf with an exotica
feel, the band kicks up the energy level on 5-0 original "Supernova"
and the Zorba and the Greeks' cult classic "Shockwave" with tons of
frenetic pounding surf beats and a hi level reverb assault.<br />
The
Exotica classics "Taboo" and "Enchanted Sea" are given a spooky twang
and reverb treatment, while 5-0 original "Ilikai 65" brings the Spy
sound familiar to most fans of Tikiyaki Orchestra. The ep closes out
with a slow, atmospheric rendition of the Les Baxter classic "Enchated
Sea".<br />
<br />
The Tikiyaki Orchestra exist in a class by themselves.
There really is no other band quite like them on the planet. They take
the Exotica tradition as established by pioneers Denny, Lyman and Baxter
and bring it into the 21st century. Their unmistakable sound is a blend
of the coolest retro styles–exotica, lounge, space-age bachelor pad,
crime jazz, spy, surf, spaghetti western and more.Happy New Year! </blockquote>
<br />
<blockquote>
01. Supernova [2:19]<br />02. Ilikai 65 [4:30]<br />03. Taboo [3:55]<br />04. Song of Delilah [3:38]<br />05. Shockwave [2:59]<br />06. Enchanted Sea [4:06]</blockquote>
<br />
<a href="http://www102.zippyshare.com/v/zptSAR3f/file.html" target="_blank">partay </a>DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-26028362311649608772016-10-28T18:48:00.000-07:002016-10-28T18:48:08.691-07:00VA - Kan-Gu-Wa and Chop Chop <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc5sqcFFWnY8OPvstZEFFeg3e-vP2i3_SC1bt4UDSjydTK8vYHGPunPRxlK5iD9DG7Ppz1Btc1JYnyi0I7FQWPB_72QKS6VwgWE6AQ0-AlOer8rd_aOp4nOYeHVGtNuqiKO_oOWY5LkJ-2/s1600/kangam.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc5sqcFFWnY8OPvstZEFFeg3e-vP2i3_SC1bt4UDSjydTK8vYHGPunPRxlK5iD9DG7Ppz1Btc1JYnyi0I7FQWPB_72QKS6VwgWE6AQ0-AlOer8rd_aOp4nOYeHVGtNuqiKO_oOWY5LkJ-2/s1600/kangam.jpg" /></a></div>
Trick and Treat - - enjoy the madness.<br />
<div align="CENTER" style="margin-bottom: 0in;">
First time on CD! The
third and fourth volumes in the Exotic Blues & Rhythm series were
released on limited edition 10" vinyl (500 copies per volume)
and sold out in next to no time! Enjoy amazing and danceable tunes
from the late 50s and early 60s - a handful of Popcorn dancefloor
smashs, a few grinding Tittyshakers, awesome Rhythm & Blues -
most of them with an exotic twist! 24 songs.<br /><br />TRACKLIST<br /><br />01.
Ubangi Rock - Chaino<br />02. Kan-Gu-Wa - The Scholars<br />03. Man From
Utopia - Donald Woods & The Vel-Aires<br />04. Haunted Lover -
Carole Bennett<br />05. Little Doe-Doe - Curtis Knight<br />06. Ghost
Train - The Electro-Tones<br />07. Big Foot - Googie Rene<br />08.
Twistin' Fever - The Marcels<br />09. I Want Her Back - Dick Jordan<br />10.
Rise Up And Walk - Troy Dodds<br />11. Voodoo Drums - Les Elgart<br />12.
Volcano - The Three Suns<br />13. Chop Chop - Sandy Nelson<br />14. Don't
Go - Vince Everett<br />15. Ali Ben Ghazi - Jack Hammer<br />16. Monkey
See, Monkey Do - The Sherwoods<br />17. Johnny Lee - Faye Adams<br />18.
I've Been True - Jannie Williams<br />19. Baltimore Jones - Chuck
Miller<br />20. I Go (King-Kong) - The Go-Rillas<br />21. She's Mine -
John Lee Hooker<br />22. Red Lips - Marty Hill<br />23. Little Indian
Girl - Billy & The Moonlighters<br />24. Bullfrog - Johnnie Moore &
His New Blazers</div>
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<br /></div>
<div align="CENTER" style="margin-bottom: 0in;">
<a href="http://www46.zippyshare.com/v/CK7tgNws/file.html" target="_blank">bongoz</a></div>
DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com2tag:blogger.com,1999:blog-2932931477893854979.post-30116275547457425482016-10-28T18:44:00.000-07:002016-10-28T18:44:32.632-07:00VA - Katanga Ahbe Casabe: Exotic Blues and Rhythm <div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgic02T9uSpDXt8cHfgqbeAwf9UyjX7VI-WycRlMQ9UFkFUhdonENZ06Fhg-Fk8PfsGbpnzawKOMLDCfoDAjBzeZ0B-N0zH5biQ-fNv2ptB7V-wnEoIzBhvdLmNGagk3diwo67wW9_qsKJC/s1600/ahbec.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgic02T9uSpDXt8cHfgqbeAwf9UyjX7VI-WycRlMQ9UFkFUhdonENZ06Fhg-Fk8PfsGbpnzawKOMLDCfoDAjBzeZ0B-N0zH5biQ-fNv2ptB7V-wnEoIzBhvdLmNGagk3diwo67wW9_qsKJC/s1600/ahbec.jpg" /></a></div>
Happy Halloween ---
<br />
<div align="CENTER" style="margin-bottom: 0in;">
This reissue combines the
first two volumes from the “Exotic Blues & Rhythm”
compilation series named “Katanga!” and “Ahbe Casabe!” with
two additional bonus tracks. This album is a colorful garden of
delights consisting of R'n'B and rock'n'roll based songs from the
1940s to the early 1960s that all have this slightly exotic, dark and
mystical feeling from the melody structures and instrumentation. Most
of the tunes at hand sound astonishingly fresh and timeless. EDDIE
COLE & THREE PEPPERS with their hypnotizing groover “Police”
for example present a Caribbean mento with a mambo and rhythm'n'blues
feel. The beat will drag you directly from your seat and make you
swing on the dancefloor. This piece finds its roots in the late 1940s
and demonstrates impressively how far even the predecessors of rock
music already got in their development. The simple yet haunting lead
vocal harmony makes this song a steaming hot all-time fave. And this
is only one out of 26 rare gems. The album already starts magically
with a gloomy bluesy tune named “Green onions” played by German
composer and conductor Claus Ogermann, a cover of a BOOKER T &
THE MG'S tune from 1962 with a rather specific basic melody that will
stay with you forever. There is much more simmering popcorn rock and
enchanting exciting pop from those old times to be found on this
compilation and when you reach the “Ahbe Casabe” this is where
the strange and quirky charme of exotica music captures your soul
even more. The title track for example is a song from the late 50s
written by proto hippie Ehden Ahbez that combines a Latin groove with
a vocal melody speaking of dark backstreets in oriental cities. The
album is rich on colors and the view behind the obvious you are
allowed to take will open an entirely new world for you. The 1940s,
1950s and 1960s had much more to offer than what we already know and
this is a field of diamonds you get to dig in when you spin this
record. A nice little oddity is the bonus track “The riddle of the
papawhos” by Danny Staton, based on old spirituals and gospels with
a 1950s pop music base. The backing vocal effects here are more than
strange somewhere between a deep gnarling and chipmunk style
squeaking while the lead vocals on the other hand are soulful and
striking as expected. The other bonus track by Kip Tyler named
“Pu-Chun-Ga” is another outstanding mad Latin tune with wild
female vocals and memorable lead melody. Tracks like "Shadow
Street" leave you once more somewhere in between the jungle and
a haunted oriental café in a town near the desert plains of Egypt.
Next to master Ike Turner (still without his later wife and coming
legend Tina) with his exotic surf instrumental “Katanga” from the
first part, good old rock'n'roll pioneer Bill Haley should be the
most famous contributor to this musical treasure chest. The sheer
sensual stimulation you receive from these 26 songs will make you
groove your mind away. Regardless where you are, these catchy Rhythm
and Blues tunes will turn any place into a vintage
dancefloor!<br /><br />TRACKLIST<br /><br />01. Green Onions - Claus Ogerman
Orchestra<br />02. Nene Aman - Artie Barsamin & Orchestra<br />03.
I'm Going Home - Prince Conley<br />04. Everything I Touch Turns to
Gold - Joe Valino<br />05. Lucky Me - Chance Halliday<br />06. Apache -
The Chiefs<br />07. Katanga - Ike Turner & His Kings of Rhythm<br />08.
Where Were You? - Jimmy Rushing<br />09. Police - Eddie Cole & The
Three Peppers<br />10. Hey! Little Woman - Sonny Til & The
Orioles<br />11. Woke Up This Morning - Emmet Davis<br />12. Classie's
Whip - Classie Ballou<br />13. Cleopatra Kick - Jack La Forge<br />14.
Ahbe Casabe - Marti Barris<br />15. They Took John Away - Steve
Arlen<br />16. Lucky Is My Name - Bruce Cloud<br />17. Thirteen Women and
One Man - Dickie Thompson<br />18. Cleo - Rene Hall<br />19. Asia Minor -
Machito & His Orchestra<br />20. Lament - Mamie Perry<br />21. Chick
Safari - Bill Haley & His Comets<br />22. Big Bamboo - Lord
Kitchener<br />23. Cleopatra - Jamie Coe<br />24. Shadow Street - Kip
Tyler
</div>
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<br />
</div>
<div align="CENTER" style="margin-bottom: 0in;">
<a href="http://www46.zippyshare.com/v/GIUJ90ng/file.html" target="_blank"><b>hippy</b></a></div>
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<br />DaBosshttp://www.blogger.com/profile/12166657738717040773noreply@blogger.com1