Monday, April 25, 2016

Rondo Hatton - ST

Rondo Hatton - ST
Named after an actor with brutish features that appeared in many B-movies in the black n’ white era, https://en.wikipedia.org/wiki/Rondo_Hatton  this Louisiana based surf/instro combo has a light, twangy sound that really fits perfectly with the summery beach vibe that’s so associated with the genre. Pipeline Magazine sez, "There's plenty to enjoy here on an album that has sufficient quality and variety to keep the listener interested. 15 original tracks of surf music at its finest!" Playing a variety of music styles including surf, spy, hot rod, westerns and TV themes, you can, almost, smell the salt air, feel the ocean's breeze on your face and the sand between your toes as Rondo Hatton bathes you in their spectacular, musical salt water. This band is gaining international recognition with their classic sound and their extremely, well-crafted originals. Bruce Lamb - lead guitar- refers to some of the bands' covers as "odd ball instrumental songs". Very enjoyable.    

1.Pedal Pusher 2.Sea Breeze 3. Paso De Cascabel 4. Saguaro 5.    Little Ruby 6. Chiqhuahuac Point 7. Gaucho 8. Gale Force 9. Agave 10. The Devil's Reef 11. Lover's Cove 12. La Bahia Azul 13. Danger Zone 14. Skee-Daddle 15. 12 Corrido Rock

Monday, April 4, 2016

The Raymond Scott Quintette - Microphone Music

The Raymond Scott Quintette - Microphone Music (2003)

Microphone Music is a 2003 double CD compilation by The Raymond Scott Quintette. It is "a collection of unreleased titles, radio performances, first-rate rehearsals and forgotten gems by the Raymond Scott Quintette recorded between 1936 and 1939." (The sizes of each version are correct, these are mono recordings converted to each format.)

Warner Bros. licensed his music for the Looney Tunes cartoons. Powerhouse and few others will be familiar to fans of these classic cartoons. Enjoy.


Jazz music, always known for its spirit of improvisation, was hardly the medium for composers or producers during its first 50 years. Even the greatest early arrangers – Duke Ellington, Fletcher Henderson, Don Redman – allowed plenty of room for solos, and would've been deserted by most of their musicians if they hadn't. All of which explains why Raymond Scott was never considered a jazz artist. His pieces, impressionistic yet rigidly composed, did use all the same components of a jazz band and exhibited close superficial similarities to Duke Ellington's early jungle band and the Benny Goodman Orchestra. The difference lay with his insistence on perfection, in his recording techniques and the members of his band. The Raymond Scott Quintette was a clean, technical, utterly precise swing machine – the logical progression, in his mind, of the noisy jazz racket originally delivered on record by the Original Dixieland Jazz Band in 1917. Microphone Music, another Scott-related reissue by the Basta label, is a two-disc bonanza of unreleased titles, rarities, and rehearsals from the late '30s that will taste of manna from heaven for listeners who spent a decade in the wilderness after Columbia's greatest-hits volume, 1992's The Music of Raymond Scott: Reckless Nights & Turkish Twilights. These certainly don't sound like afterthoughts, either; Scott took quality control very seriously, and the result is a set of 40 splendid, fascinating songs that often sounds better even than the Columbia release. Most of the songs are new to CD, and even the familiar titles (like the Scott perennial "Dinner Music for a Pack of Hungry Cannibals") are presented in radically different interpretations. Drummer and percussionist Johnny Williams (father of composer John Williams) is revealed as an extraordinary talent, not just keeping time for the quintette, but splitting it into halves and quarters with his brisk, perfectly timed fills. As for Scott, who's usually recognized solely as a compositional or arranging genius, the focus here is on his talent for sound reproduction. The title is a nod to the importance of engineering and microphone placement in his music – a reprint of a Popular Mechanics article appears in the liner notes – and his constant recording experiments produced dynamic music utterly unlike anything heard before, since sound had never been picked up and amplified the way Scott did it. The relative scarcity of Quintette recordings is enough to boost this set into recommended status, but the bounty of fabulous music inside makes it essential for fans and highly recommended for the uninformed. Really fun with headphones.
oooops- for you early adopters - disc1 is now fixed.

DISC 1
1. Egyptian Barn Dance (April 1938)
2. The Penguin (December 1938)
3. Christmas Night In Harlem (March 1939)
4. Pretty Petticoat #1 (April 1939)
5. Square Dance For Eight Egyptian Mummies (1938)
6. Moment Whimsical (December 1938)
7. Devil Drums (June 1939)
8. A Little Bit Of Rigoletto (APril 1939)
9. Hypnotist In Hawaii (April 1939)
10. Dinner Music For A Pack Of Hungry Cannibals (April 1937)
11. The Toy Trumpet (December 1936)
12. Suicide Cliff (December 1939)
13. Siberian Sleighride (1938)
14. Steeplechase (April 1939)
15. Peter Tambourine (March 1939)
16. Celebration Of The Planet Mars (January 1938)
17. Brass Buttons And Epualettes (January 1938)
18. Bumpy Weather Over Newark (June 1939)
19. Pretty Petticoat #2 (May 1939)
20. Turkish Mish-Mush (March 1939)
(UNLISTED TRACK)
21. Powerhouse (rehearsal) (1940)
DISC 2
1. Microphone Music (January 1938)
2. Twilight In Turkey (February 1939)
3. New Year's Eve In A Haunted House (December 1938)
4. Tobacco Auctioneer (April 1939)
5. The Girl With The Light Blue Hair (January 1939)
6. Sleepwalker (March 1937)
7. The Happy Farmer (April 1938)
8. Oil Gusher (January 1939)
9. Boy Scout In Switzerland (March 1939)
10. Reckless Night On Board An Ocean Liner (April 1937)
11. Swing, Swing Mother-In-Law (December 1936)
12. Girl At The Typewriter (1939)
13. Yesterday's Ice Cubes (March 1937)
14. Pretty Petticoat #3 (April 1939)
15. War Dance For Wooden Indians (February 1939)
16. Dead End Blues (January 1937)
17. Harlem Hillbilly (June 1939)
18. The Quintet Goes To A Dance (March 1939)
19. Bugle Call Rag (March 1937)
20. Powerhouse (June 1939)
(UNLISTED TRACK)
21. A Happy Frenzy At Aquackanack

wowser d1

wowser d2

Saturday, March 26, 2016

Jesus Christ Surferstar

Hi all - busy with Holy week so a quickie - as our tradition here at FCCL get your religious groove on with one of the best surf tributes out there.

Easter - time for those who celebrate the occasion to have something other than the standard pious muck to listen to. Grab this and give to the minister, preacher, bishop, evangelist of your choice and freak them out. Hey, now is your chance to "spread the word" --
heeheeheee

Phil Dirt:What a cool concept! Andrew Lloyd Webber's controversial rock opera Jesus Christ Superstar goes to the beach - mostly. 21 instrumentals and a handful of interesting vocals. Most of the instros are surf. The whole package is well done. Vocal tracks on this amazing CD include a delightful faux-pomp performance of "Strange Things Mystifying" by Prawns With Horns, the traditional surf backtracked "Simon Zeabotas" from Pipelines, the heavy garage fuzz and organ pound of Babyshaker's "Damned For All Time / Blood Money," the dry edged power of "The Arrest" from the HiFi Ramblers, and the Texas heavy fuzz of Johnny Vortex's "Juda's Death." Phil DirtThe songs are quite strongly melodic which play very well to the surf structure – they stand up as instrumentals. I wind up adding the lyrics in my head. One of the few tributes that stand out as a solid collection on it’s own and in some ways – depending on your mood – improves on the original. Get the original below and go with the flow on Easter, however the wind blows.
Disc 1
1. Overture - Daikaiju2. Heaven On Their Minds - Urban Surf Kings3. What's The Buzz - The Waistcoats4. Strange Things Mystifying - Prawns with Horns5. Then We Are Decided - Breakfastime6. Everything's Alright - Susan & Surftones7. This Jesus Must Die - Atomic Mosquitos8. Hosanna - El Ray9. Simon Zealotas - Pipelines10. Poor Jerusalem - Lava Rats11. Pilate's Dream - 3 Piece Suit12. Temple, The - Ward 6913. I Don't Know How To Love Him - Crime Factor Zero14. Damned For All Time/Blood Money - Babyshaker

Disc2
15. Last Supper, The - Hypnotic IV16. Gethsemane (I Only Want To Say) - Surfones17. Arrest, The - HiFi Ramblers18. Peter's Denial - Fabulous Planktones19. Pilate & Christ - Capacitors20. King's Herod's Song - Susan & Surftones21. Could We Start Again Please - Noseriders22. Judas Death - Johnny Vortex23. Trial Before Pilate - The Supertones24. Superstar - The Atlantics 225. Crucifixion - Longhorn Devils26. John Nineteen Forty One – Aqualads

set as separate dls for ease 

jcss 1

jcss 2

Thursday, March 3, 2016

Ixtahuele - Pagan Rites


This is a new release, by a modern band, but the sound is brilliantly-made classic exotica. If you love the holy trinity of the genre: Martin Denny, Les Baxter, and Arthur Lyman, then this album is definitely for your ears. Most definitely the best exotica recording in a decade. These all-original compositions sound so clear and intoxicating you would swear they were a lost Martin Denny record. Instead, we have an ensemble performing exotica the way it was meant to be played - organically without synthesizers or computers. 

There are some killer tracks. While this Swedish group has captured the *sound* of those great recordings, these aren't retreads of old standards. There's no "Bali Hai," "Yellow Bird," "Quiet Village" or "Hawaiian War Chant." Instead, Ixtahuele -- named for a group of Polynesian islands -- has written & recorded ten all-new instrumental numbers. And though the band and album are modern, the music is decidedly classic in feel.

Here's the test: Put Pagan Rites in a mix with classics by the masters, punch "random," and see if you notice when Ixtahuele is playing. It blends beautifully!

Buy Pagan Rites. Put on your aloha shirt and/or fez. Mix up a Mai-Tai. Relax, and let the exotic sounds of Ixtahuele take you away...

Tracks
  1. Black Sand
  2. Rarohengen Dance
  3. Brugmansia
  4. Stone Gods of Bimini
  5. Orust Luau
  6. Lotus Eaters
  7. Searching the Souq\
  8. Huahine
  9. Dengue Fever
  10. Garden of Mu
  11. Untitled bonus


Wednesday, February 24, 2016

Don Tiki - the Forbidden Sounds Of Don Tiki

If you're an exotica fan and like the music of Martin Denny, Les Baxter, Arthur Lyman, Robert Drasnin, Eden Ahbez, or Hawaiian music you'll love this too. Martin Denny himself even makes a guest appearance on 2 of the tracks and his wonderful piano solo on "Forever and Ever" is alone worth the price of admission. Here is all the best of exotica - bird calls, jungle sounds, sultry female vocals, congos, bongos, xylophones, vibraphones, flutes and much more. Jim Howard's use of the flute, alto flute, and bass flute is particularly enjoyable and refreshing. There are a pleasing mix of styles and rhythms, some are slow and soft and others have a beat that will make you want to get up and dance. This is perfect music for your next Tiki party or Hawaiian luau, or you can play it like I do to just relax and let your mind pleasantly wander. For pure listening pleasure, it's like MaiTai for the mind.

1. Exotica '97 2. An Occational Man 3. Barbi In Bali 4. Hot Like Lava 5. Close Your Eyes
6. Maidenhair Fern 7. Terminal 8. Polyamore 9. Clutch Cargo Cult 10. Bam-Boozled
11. Itchy Palms 12. Da T'ing He Grow 13. Forever And Ever

 forbidden

Skinny Dip with Don Tiki

 The follow-up to Forbidden Sounds, Don Tiki's 2nd album again combines sweeping range of exotic, mellow, upbeat, and loungy tunes, moving the art of Modern Exotica forward into the new millennium. The vocals are more native/island sounding that your typical mainland-produced track from the 60's, but here it only adds to the atmosphere. It has my most favorite non-pc track of the genre – the very cool “The Natives Are Restless Tonight.” The liner notes are written by none other than Sven Kirsten, author of the Book Of Tiki. This is a must have for any Exotica collector to add to their collection. Pick this album up and listen to it, now. It's another glimpse into the almost non-existent genre of Modern Exotica.

1. All Quiet Flows The Don 2. The Natives Are Restless 3. Primitiva 4. Heat 5. Flower Humming
6. Bwana Banana 7. The Other Side Of The Moon 8. Wet Cave 9. Pinakbet 10. El Producto
11. Sweet And Sour 12. Axolotl 13. That Hypnotizing Man
 

Tuesday, February 16, 2016

Don Tiki -- Adulterated - The Remix Project

Every couple of years we are treated to a new neo-Exotica treasure from Honolulu's Don Tiki. The new album, Adulterated, is a remix project featuring 11 tunes from their first two albums. Now I'm sure some of you are thinking this is a recipe for disaster (we are all too aware of failed "lounge" remix projects, right?). In this case, Don Tiki have done it the right way. As implied by the title, this is a remix of classic Don Tiki sounds, which pay homage to Martin Denny, Arthur Lyman and all the forefathers of exotica. Even repertory tracks have been mixed, reshaped, refined and re-invented by a coterie of top deejays - call it Martin Denny for the millennium - and the tunes take on new sass.For the most part, the remixes stay true to the vibe of the original songs, so things are mellow and relaxing and not hyper and kinetic. Some good tracks in this mode are All Quiet Flows the Don, remixed by 8FatFat8, and Close Your Eyes, remixed by A Certain Frank. Adulterated features three standout tracks, starting with DJ Jimmy B's remix of The Natives Are Restless. Now, we're big fans of the original song but Jimmy B's remix takes it up a notch. Extremely effective remix effects and nice spoken word pieces highlight this mix, along with chanting to die for. Br Cleve contributes a HiNRG "Bongo Congo" mix of Bwana Banana that somehow fits in even though this has a much higher BPM than the rest of the album. "The Other Side of the Moon," remixed by Ursula 1000 of NYC as heard on the Samsung Electronic worldwide TV campaign. Lastly, Clutch Cargo Cult gets a great remix from 8FatFat8 that includes a nice rap by Julio Davis. Now, things aren't all Mai Tai's for Adulterated. An Occasional Man has a syncopated remix style that I found annoying (honestly, I'm not a fan of the original version either) with several grating effects.

There's a mix of sultry, intermittent vocals with inventive instrumentals. This is party music that collates a myriad of styles, from exotic jazz to ska, from funk to pop. Light the tiki torches, turn on the lava lamps, haul out the tiki mask and start groovin!'

A review in Time Out/NY states, "Don Tiki have a sexy allure along with flair and a good sense of humor." The Honolulu Advertiser says, "Don Tiki captures exotic sounds, party spirit...this is Martin Denny for the Millenium!" This sensuous, flowing piece of work is an instant classic.
1 The Other Side of the Moon 2 Clutch Cargo Cult
3 Heat [Jack Fetterman's Tabuzack Mix] 4 Da T'Ing He Grow
5 An Occasional Man 6 Close Your Eyes 7 The Natives Are Restless
8 Polyamoré 9 Bwana Banana 10 Terminal [Perry Coma's Comatose Mix]
11 All Quiet Flows the Don
 

Monday, November 9, 2015

Mr. Ho's Orchestrotica Third River Rangoon

Mr. Ho's Orchestrotica Third River Rangoon

Despite the "Orchestrotica" in the title, "Mr. Ho's" sophomore effort is as part of a 4 or 5 man combo this time rather than the 23 member big band of his debut album. However, not to worry. This is a talented group playing a variety of music in the Tiki Lounge style. The "Arab Dance" from The Nutcracker is very well done. Nice tribute song for Arthur Lyman done in his distinctive style.While the Orchestrotica does perform classics by the original artists of the style--Martin Denny, Arthur Lyman, Les Baxter, Milt Raskin, and Cal Tjader--the quartet focuses on original, modern jazz/classical crossover (third-stream) exotica music written by Mr. Ho too.

Vibraphonist/bandleader Brian O'Neill AKA Mr. Ho's new album Third River Rangoon, by his shapeshifting ensemble Mr. Ho's Orchestrotica may have been inspired by that subgenre, but it's considerably more magical. It leaves far more to the imagination, a lushly nocturnal collection whose most impressive feat of sorcery is getting a simple lineup of vibraphone, bass flute, bass and percussion to create the sweep of a hundred-piece orchestra. The production is genius: Phil Spector couldn't have done any better than this. Playful and surreal, with an unselfconscious majesty, it's music to get lost in, just as O'Neill intended..." -- Lucid Culture - 6/2011

Enjoy the trip.

1. Third River Rangoon 4:36
  2. Thor's Arrival 4:55
  3. Maika            3:23
  4. Colorado Waltz 4:22
  5. Arab Dance            4:29
  6. Phoenix, Goodbye 5:12
  7. Terre Exotique 4:04
  8. Autumn Digging Dance 3:12
  9. Moai Thief 3:58
10. Lonesome Aku of Alewife 3:51
11. Lyman '59

exoticalounge

Tuesday, October 20, 2015

The Derangers - The Legend Of Daphne Blue And The Westernmental Sound (2014)

The Derangers - The Legend Of Daphne Blue And The Westernmental Sound (2014)

Conjuring the feel of a bygone era in America, when neon lit the evening sky along Route 66 and a cowboy with no name rode across a Drive-In movie screen... The Westernmental Sound! It's the debut CD by longtime Boston instrumental combo The Derangers. Spooky instrumental themes, encompassing spaghetti western, surf, spy, and more. Call it desert surf or Texas surf...

“The Legend of Daphne Blue” is a retrospective of the best Derangers instrumental music spanning more than two decades. 1990’s original spaghetti western-styled theme, “Rio Sangre” is the collection’s oldest track, and the band’s twangified cover of “Wichita Lineman,” recorded in November of 2013, is the newest.
The music ranges from straight early ‘60’s California surf with tracks like “Santa Monica” and “Monkey Island” to the exotic spy jazz and Arabesque motifs of “Ether Cocktail” and “The Impaler.” There’s “’69 Firebird’s” hot rod sound and the lush tropical layering of “Agave Rain.” But the main wave of the Derangers’ sound is their “Westermental” themes. Tracks like “Rio Sangre,” “Tears of the Seneca,” “Twang ‘em High,” and “El Chupacabra” conjure cinematic images of a lone rider emerging over the desert horizon, making his way toward a doomed desert town, accompanied only by danger. Front and center is Drew Townson’s steely, reverb-clad guitar, supported by a cast of some of the best players in the New England music scene.

"To hell with 'spaghetti western' soundtracks. The Derangers have an original take on high-atmosphere twang that's fueled by Texas barbecue and dust. Guitarist Drew Townson's melodies evoke not only the open spaces of the prairies and deserts, but the sound of the surf, balancing retro-cool with a lean modernity that keeps the band's sound fresh and timeless." ~ Ted Drozdowski, Guitar World

Track List:

01. Tears of the Seneca [03:56]
02. Twang 'em High! [02:53]
03. El Chupacabra, Live on WMFO [03:00]
04. Santa Monica [02:30]
05. Rio Sangre [03:43]
06. The Impaler [03:32]
07. Monkey Island [03:04]
08. Ether Cocktail [04:52]
09. Magdalena, NM [02:45]
10. '69 Firebird [03:19]
11. Agave Rain [02:46]
12. Wichita Lineman [03:54]
13. The Good, The Bad, & The Ugly, Live [02:58]

Monday, October 12, 2015

Tortoise - It's All Around You

It's All Around You is a solid maturation of the Tortoise sound. It's their fifth album and the compositions are surer, bolder, subtler than any of their previous work. Where their earlier tracks were often whimsical and wandering, these are thoughtful, artfully produced works that don't need to lean on their pastiche or irony or 21st century genre fusion to be respected. The triptych that opens the album is some of the most breathtaking work they've ever done, as audacious and ambitious as anything you've heard from them. The first track is a latin-infused tapestry of guitar and vibe melodies, while the second is a sibilant electronic dub brain massage. The third is a bold, sweeping Zappa anthem that will have you shaking your head in wonderment. This is Tortoise's most cohesive album yet, good for focused end-to-end listening while having tracks that are capable of standing on their own.

All the usual elements are here: the mesmerizing blend of instruments to the point where you are surprised where one ends and the other begins, the fun sometimes screwball rhythms, the jazz inspired melodies and some great rock-out moments. Instrumentation hasn't changed: two vibraphones, two drum kits, bass, synth/effects, twang and jazz guitar.

Its mood wanders from joyful heights to angsty darkness and back. Tortoise's production values improve with each album they release, and this is no exception - you will greatly benefit from playing this album through a quality sound system or headphones, and make sure you're reproducing the bass properly because it's sublime.

John McIntyre's drumming is on showcase here, building to a wild crescendo with the album's closing track. The electronic expression of Tortoise is more finely represented here than on any previous album.

This album showcases some of their most subtle, melodic and consistent work to date. If you like Friends of Dean Martinez, Calexico or M83 give this a try. If, not - try it anyway - it's that good.


Track Listing
    "It's All Around You" – 4:09
    "The Lithium Stiffs" – 3:59
    "Crest" – 4:21
    "Stretch (You Are All Right)" – 5:14
    "Unknown" – 5:38
    "Dot/Eyes" – 3:46
    "On the Chin" – 5:21
    "By Dawn" – 1:51
    "Five Too Many" – 4:33
    "Salt the Skies" – 4:45

terp5
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